This is what you might call a 'fun' record- party music if you like. I've heard a lot better from Armand van Helden as a remixer (notably the excellent 'Spin Spin Sugar' remix) but I'm sure his intention here was more commercial than artistic- can't blame the man for wanting to make a buck, can we?
The video is quite watchable and entertaining but you wouldn't be able to watch is more than, say, twice without getting a bit irritated. And the 'Ooh ooh' hook would probably have an even shorter shelf-life. But what the hell. It's harmless pop.
Monday, 25 October 2010
Alternative Music: Jimi Hendrix
There is no doubt that a lot of people have heard of Jimi Hendrix. He truly is one of the most revered guitar players in the music industry. He has developed a following that stretches until today. You will often see shirts and hear his records being played or recommended, favorited even by some music enthusiasts of this generation.
Jimi Hendrix or Johnny Allen Hendrix was born on November 27, 1942 in Seatlle. His father changed his name to James Marshall Hendrix after returning from the war. This name was in honor of his uncle Leon Marshall Hendrix.
His childhood was said to unstable. He was also said to be deprived of the attention. He spent some time in welfare care. He started practicing his guitar skills on an unstringed broomstick and also a one-stringed ukulele. His first “guitar” cost him five dollars, that was well, a makeshift guitar. But his first real guitar was a Supro Ozark that was white. His father gave it to him when he realized that Jimi had real guitar slashing potential.
But poor Jimi did not have an amp. And he didn’t see that as an obstacle. He started learning by watching other guitar players and listening to guitar records. He was influenced by his father’s listening to Muddy Waters and BB King. And that should be the reason why his songs were sprinkled with the blues style of playing. He was very much of an extrovert as a player. And his showing off got him kicked out of his first band.
He jumped from band to band from there. And after he served as a paratrooper, he began working as a session guitar player for Little Richard, Sam Cooke and the Isley Brothers. It was when he got Chas Chandler, formerly of the band, the Animals, as his manager when his career started to go uphill.
Chandler found out about Jimi’s playing prowess through Linda Keith, Keith Richards’ (of the Rolling Stones) girl friend. It was Chandler who changed Jimi’s name to what we know now. And it was also his brainchild to for m the Jimi Hendrix Experience with Noel Redding and Mitch Mitchell.
The band’s first single, Hey Joe, blasted the charts. They also played after The Who during the 1967 pop festival in Monterey. Jimi was slashing his guitar while fire burned on the stage. The crowd went wild. It was also at about the same time they released their first album, Are You Experienced. And Jimi rocketed to stardom.
The most memorable and successful album from the band is Electric Ladyland. It was released in 1968. During this time, Chandler was no longer acting as their manager. This also marked the start of the bands demise. It was then when drugs and hanger’s on kept crowding the studios. This eventually led to the end of the band. Jimi then formed the Gypsies, Sun and Rainbows for a time. They were only able to play at the Woodstock 1969. This was when he played his final great public performance with an electrifying version of the Star Spangled Banner.
The guitar legend was hooked into drugs. His last album was Cry of Love which featured Mitch Mitchell and Billy Cox of Gypsies. He took some sleeping pills on September 17, 1970. The pills belonged to his then girl friend, Monica Denneman. He apparently had an allergic reaction and started throwing up. He drowned in his vomit. But he was pronounced dead when he reached the hospital. He was 27 when he passed away.
Jimi Hendrix or Johnny Allen Hendrix was born on November 27, 1942 in Seatlle. His father changed his name to James Marshall Hendrix after returning from the war. This name was in honor of his uncle Leon Marshall Hendrix.
His childhood was said to unstable. He was also said to be deprived of the attention. He spent some time in welfare care. He started practicing his guitar skills on an unstringed broomstick and also a one-stringed ukulele. His first “guitar” cost him five dollars, that was well, a makeshift guitar. But his first real guitar was a Supro Ozark that was white. His father gave it to him when he realized that Jimi had real guitar slashing potential.
But poor Jimi did not have an amp. And he didn’t see that as an obstacle. He started learning by watching other guitar players and listening to guitar records. He was influenced by his father’s listening to Muddy Waters and BB King. And that should be the reason why his songs were sprinkled with the blues style of playing. He was very much of an extrovert as a player. And his showing off got him kicked out of his first band.
He jumped from band to band from there. And after he served as a paratrooper, he began working as a session guitar player for Little Richard, Sam Cooke and the Isley Brothers. It was when he got Chas Chandler, formerly of the band, the Animals, as his manager when his career started to go uphill.
Chandler found out about Jimi’s playing prowess through Linda Keith, Keith Richards’ (of the Rolling Stones) girl friend. It was Chandler who changed Jimi’s name to what we know now. And it was also his brainchild to for m the Jimi Hendrix Experience with Noel Redding and Mitch Mitchell.
The band’s first single, Hey Joe, blasted the charts. They also played after The Who during the 1967 pop festival in Monterey. Jimi was slashing his guitar while fire burned on the stage. The crowd went wild. It was also at about the same time they released their first album, Are You Experienced. And Jimi rocketed to stardom.
The most memorable and successful album from the band is Electric Ladyland. It was released in 1968. During this time, Chandler was no longer acting as their manager. This also marked the start of the bands demise. It was then when drugs and hanger’s on kept crowding the studios. This eventually led to the end of the band. Jimi then formed the Gypsies, Sun and Rainbows for a time. They were only able to play at the Woodstock 1969. This was when he played his final great public performance with an electrifying version of the Star Spangled Banner.
The guitar legend was hooked into drugs. His last album was Cry of Love which featured Mitch Mitchell and Billy Cox of Gypsies. He took some sleeping pills on September 17, 1970. The pills belonged to his then girl friend, Monica Denneman. He apparently had an allergic reaction and started throwing up. He drowned in his vomit. But he was pronounced dead when he reached the hospital. He was 27 when he passed away.
Alternative Music: More than Just Opinion for Independent Artists
The world in the music business has a lot of issues and events that trigger critiques to give their opinions and views regarding a certain subject. These views are either constructive or destructive to the enthusiasts in the music world. There can be learning or lessons that can be derived from these opinions especially if the person that aired out his views has established credibility about the subject on hand.This is one reason why Music Biz is an interesting site from which independent artists can visit. It is full of articles that relate to particular subject in the music industry. If an independent artist wants to gain ground and get updates in the music world, he can read various articles in Music Biz and know about what the music business is facing. The articles in Music Biz are not news though but are commentaries, opinions and point of views of music insiders. Music Biz, however, make sure that the articles added to their site are reasonable, related to specific incident, relevant and informative. The experiences and discussions in the articles may be subjective but one who wants to know the world of music can gain something from these articles.Music Biz is a unique community site intended to cater independent artists, music enthusiasts, disc jockeys, music marketers, and other players in the music business. Unlike other community sites that feature an individual profile, Music Biz features articles based on certain issues concerning the music industry. These articles come from different sources or contributors who air out personal opinions and analyses on whatever subject they have related to the music world. Although this is so, contributors are encouraged to practice responsible journalism so as not to be too disrespectful to certain issues. Articles in Music Biz are not necessarily facts but more on critiques and scrutiny.However, this is not the only composition of Music Biz site. One of their menus shows real news about different music events, artists, and the business as a whole. The news in Music Biz links to the original source of the news. Independent artist can get real updates and real news in the music industry in Music Biz. The news is up to date and new events and issues are added every now and then.Aside from editorials and news, visitors in Music Biz can also read feature articles in the music industry. Feature articles present interesting and factual events and subjects. Independent artists can get their updates from these features as well. The feature article, just like editorials, can be contributed by anybody as long as it is credible and reliable. Proper editing is also done to ensure that it meets the Music Biz standard to categorize it as feature articles. Members who log in to Music Biz can also contribute reviews regarding existing articles and other issues.There are more than just articles, editorials, news, or features that Music Biz can offer. There is forum for music enthusiasts, marketplace where visitors or members can buy CD or DVD copies, and reviews.
Article Source: http://www.articlesbase.com/music-articles/music-biz-more-than-just-opinion-for-independent-artists-1773170.html
About the AuthorJoe Gottii – We provide marketing and promotional services to clients seeking exposure in the music business. We provide Independent Artist and labels with the means to service their records to industry insiders and potential new fans
Article Source: http://www.articlesbase.com/music-articles/music-biz-more-than-just-opinion-for-independent-artists-1773170.html
About the AuthorJoe Gottii – We provide marketing and promotional services to clients seeking exposure in the music business. We provide Independent Artist and labels with the means to service their records to industry insiders and potential new fans
Alternative Music: the Advent of Rock Music
Rock music, in one form or another, has been around for years. Many pin point the 1950s as the advent of rock with the emergence of Elvis Presley. Though not performing ‘rock’ as we know it, Presley is credited as being a pioneer as rock and roll.
Presley’s ‘new’ music caused a stir amongst the music industry and outrage amongst some parents as his risqué dance moves left many in shock.
In the 60s rock music evolved further when four lads form Liverpool came to the fore. The Beatles are one of the most successful bands of all time and in the 1960s Beatlemania gripped the world!
The 1970s saw the advent of two subgenres of rock - glam rock and punk rock. Both had their roots firmly in rock music but they were very different form each other. Punk rock was about rebellion and anarchy with bands like the Sex Pistols at the fore front of the movement.
Glam rock was more experimental and saw the like of David Bowie lead the way. Make up, glitter and platforms were the style of choice.
By the 1980s rock had evolved even further. One of the main forms of rock in the 1980s was soft rock. Power ballads were en vogue and big hair was the order of the day. Bands like Chicago and Mr Mister were setting the tone.
There was also a darker, more aggressive rock on the scene with bands like Black Sabbath gaining coverage.
Towards the end of the decade we saw more American rock bands - particularly shoe-gaze rock bands - come into the scene. The term shoe-gaze was coined from the way the lead singer of such bands would perform on stage, usually staring at his feet!
The 1990s saw indie rock take the spotlight. While pop was dominating much of the charts, Brit pop - a form of indie rock emerged and fierce chart battles ensued.
Grunge rock was also big in the 1990s with bands like Nirvana reaching the top of the charts.
2000s saw indie rock back on top as Arctic Monkeys from the UK and Kings of Leon from the US continue to dominate the music industry.
A rock band usually includes one or more guitarists, a drummer and a bassist along with a lead singer. This can change though for example the rock band Keane originally had no guitarists but for the most part this format is followed.
Rock music is one of the biggest and most successful genres of music in the history of the music industry and if recent record sales are anything to go by it shows little sign of giving up that claim.
Presley’s ‘new’ music caused a stir amongst the music industry and outrage amongst some parents as his risqué dance moves left many in shock.
In the 60s rock music evolved further when four lads form Liverpool came to the fore. The Beatles are one of the most successful bands of all time and in the 1960s Beatlemania gripped the world!
The 1970s saw the advent of two subgenres of rock - glam rock and punk rock. Both had their roots firmly in rock music but they were very different form each other. Punk rock was about rebellion and anarchy with bands like the Sex Pistols at the fore front of the movement.
Glam rock was more experimental and saw the like of David Bowie lead the way. Make up, glitter and platforms were the style of choice.
By the 1980s rock had evolved even further. One of the main forms of rock in the 1980s was soft rock. Power ballads were en vogue and big hair was the order of the day. Bands like Chicago and Mr Mister were setting the tone.
There was also a darker, more aggressive rock on the scene with bands like Black Sabbath gaining coverage.
Towards the end of the decade we saw more American rock bands - particularly shoe-gaze rock bands - come into the scene. The term shoe-gaze was coined from the way the lead singer of such bands would perform on stage, usually staring at his feet!
The 1990s saw indie rock take the spotlight. While pop was dominating much of the charts, Brit pop - a form of indie rock emerged and fierce chart battles ensued.
Grunge rock was also big in the 1990s with bands like Nirvana reaching the top of the charts.
2000s saw indie rock back on top as Arctic Monkeys from the UK and Kings of Leon from the US continue to dominate the music industry.
A rock band usually includes one or more guitarists, a drummer and a bassist along with a lead singer. This can change though for example the rock band Keane originally had no guitarists but for the most part this format is followed.
Rock music is one of the biggest and most successful genres of music in the history of the music industry and if recent record sales are anything to go by it shows little sign of giving up that claim.
Monday, 18 October 2010
Alternative Music: Cee Lo Green: Forget You
This has to be the best number one record for quite some time. Flawless in every department: the song, the vocal delivery, the video- ten out of ten all round. The fusion of soul music with modern beats has been done many times- the Black Eyed Peas being one quality example. Cee Lo Green has done something similar here and it works beautifully.
The outfits in the video are stylish and stunning- tastefully kitsch and colouful- and I love the row of backing singers sitting on the counter. Aside from having an effortlessly perfect soul voice (which echoes his namesake Al Green to some extent), Cee Lo Green presents an impressive, confident, charismatic figure. He has been around for a while- known more as a rapper than a singer but his ability in the latter department is beyond question. Very much looking forward to his new album.
The outfits in the video are stylish and stunning- tastefully kitsch and colouful- and I love the row of backing singers sitting on the counter. Aside from having an effortlessly perfect soul voice (which echoes his namesake Al Green to some extent), Cee Lo Green presents an impressive, confident, charismatic figure. He has been around for a while- known more as a rapper than a singer but his ability in the latter department is beyond question. Very much looking forward to his new album.
Alternative Music: What would the world be without Music?
Music is one of the greatest expressions of human mind and soul, the perfect match of rationality and feelings, formal precision and free expression. Music mixes and combines some of the peculiarities of human soul, and probably this is why nobody can do without it. Some people content themselves with listening to it in their own room or in a concert hall, while somebody else prefer to play by themselves, refining their technique attending a music course. In any case, and no matter how we approach music, we do that because it can accompany different moments of our life, soothing us when we are sad, making us dance and jump with our friends when we are happy, and letting us expressing our rage shouting or attacking guitar strings. Both if we play and if we listen to it, music can penetrate inside ourselves, and take out even our most secret parts, the parts that we try to hide to others, and sometimes to ourselves, too. A world without music would be the same as a world without books and images: an incomplete world, missing what can express the human soul in the best way.
Music has always been part of everybody's life, and although there used to be - and actually there is still - a division between cultured and popular music, commercial music and art, everybody needs to have some contacts with it. You begin when you are a baby, and your mother sings to you some lullabies to put you to sleep, as to say "I'm not leaving you alone, there is music in your ears and in your heart", and you continue throughout your life, with the first guitar course, with the purchase of your first record, with your first, longed for concert. As in the beginning of our life music shows to be able to alleviate our suffering, giving us serenity and calm, in the same way throughout our life we can notice that most of the times nothing like our favorite songs can understand and wrap us, as if they had the power of getting out of the music player to come and hug us.
The power of music emanates even if you just listen to it, but learning to play an instrument, or to sing, means finding even more personal means of expression. If the world of music industry seems to be invaded by clone bands, which make songs that are all the same, just to meet the demand of the market and to make money, it is also true that most of the people who decide to attend a music course approach the world of music in a disinterested way, and think above all about the thrill of holding an instrument in their own hands, and to gain the ability of expressing themselves by means of music. Unfortunately musicians that are only interested in earning do exist, but this must not invalidate the world of music, which is first of all expression of our own internal world.
Music has always been part of everybody's life, and although there used to be - and actually there is still - a division between cultured and popular music, commercial music and art, everybody needs to have some contacts with it. You begin when you are a baby, and your mother sings to you some lullabies to put you to sleep, as to say "I'm not leaving you alone, there is music in your ears and in your heart", and you continue throughout your life, with the first guitar course, with the purchase of your first record, with your first, longed for concert. As in the beginning of our life music shows to be able to alleviate our suffering, giving us serenity and calm, in the same way throughout our life we can notice that most of the times nothing like our favorite songs can understand and wrap us, as if they had the power of getting out of the music player to come and hug us.
The power of music emanates even if you just listen to it, but learning to play an instrument, or to sing, means finding even more personal means of expression. If the world of music industry seems to be invaded by clone bands, which make songs that are all the same, just to meet the demand of the market and to make money, it is also true that most of the people who decide to attend a music course approach the world of music in a disinterested way, and think above all about the thrill of holding an instrument in their own hands, and to gain the ability of expressing themselves by means of music. Unfortunately musicians that are only interested in earning do exist, but this must not invalidate the world of music, which is first of all expression of our own internal world.
Alternative Music: Truth Revealed on Hotel California
Hotel California is a music album which was released in the month of December in the year 1976 and it depicts the emotional exhaustion of the West Coast when the love and peace converted into Sceptical pleasure seeking. It was a soundtrack of immoral times and yet was able to sell about 16 million copies or may be more. This album is given by a band that has matured and learned the hard way that is by continuously touring for five years and constantly giving hit records. It is said by many famous personalities that this album explores the bottom of success and the dark side of paradise.
It is the title song of an album given by Eagles by the name of Eagles itself. It is one of the very popular songs from a rock oriented album. The original recorded voice in the title song is of Don Henley who himself had written the lyrics of the song. He has sung in lead voice while concluding the song with the music of electric guitar which was interplayed between Don Felder and Joe Walsh. This song was on the top 100 playlist of Billboard for a whole week in May 1977. The group crossed all the boundaries of rock with their music all over the world.
The band of Eagles got disbanded in 1982 and left behind a musical void which could only be filled by this spectacular album Eagles and became the world's most loved album due to this title song Hotel California. The Eagles had ruled the music world in the decade of 70s. They had achieved a whole lot of Platinum and Gold records, a number of awards and maintained the constant demand of music and live performances. Now, the latest six most respected and multi talented groups of musicians present a recreation of the song in their own versions.
Hotel California is the most recognized song among all classic rock songs and even among the complete Eagles collection. It narrates the story of a person who is driving through the highway and stops at a hotel for taking some rest when he gets tired but the hotel turns out to be a great pleasure place having a disturbing story. The people do not try to understand the actual meaning of the lyrics and generally figure out that the hotel would really be a lovely place and only if the song is heard carefully it can be well understood that there is a dark side of the hotel which is being talked about. The album contains a lot of other chart busters also like One of These nights, Take it Easy, Heartache Tonight, Take it to the Limit, Lyin' eyes, New Kid in Town, Witchy Woman, Desperado, Tequila Sunrise, Best of my Love and Life in the Fast Lane and many more recent releases like Love will keep us Alive and Get Over It. The Eagles music touched the bottom of the hearts of a whole generation.
It is the title song of an album given by Eagles by the name of Eagles itself. It is one of the very popular songs from a rock oriented album. The original recorded voice in the title song is of Don Henley who himself had written the lyrics of the song. He has sung in lead voice while concluding the song with the music of electric guitar which was interplayed between Don Felder and Joe Walsh. This song was on the top 100 playlist of Billboard for a whole week in May 1977. The group crossed all the boundaries of rock with their music all over the world.
The band of Eagles got disbanded in 1982 and left behind a musical void which could only be filled by this spectacular album Eagles and became the world's most loved album due to this title song Hotel California. The Eagles had ruled the music world in the decade of 70s. They had achieved a whole lot of Platinum and Gold records, a number of awards and maintained the constant demand of music and live performances. Now, the latest six most respected and multi talented groups of musicians present a recreation of the song in their own versions.
Hotel California is the most recognized song among all classic rock songs and even among the complete Eagles collection. It narrates the story of a person who is driving through the highway and stops at a hotel for taking some rest when he gets tired but the hotel turns out to be a great pleasure place having a disturbing story. The people do not try to understand the actual meaning of the lyrics and generally figure out that the hotel would really be a lovely place and only if the song is heard carefully it can be well understood that there is a dark side of the hotel which is being talked about. The album contains a lot of other chart busters also like One of These nights, Take it Easy, Heartache Tonight, Take it to the Limit, Lyin' eyes, New Kid in Town, Witchy Woman, Desperado, Tequila Sunrise, Best of my Love and Life in the Fast Lane and many more recent releases like Love will keep us Alive and Get Over It. The Eagles music touched the bottom of the hearts of a whole generation.
Bluenote Records: A Foundation of Jazz
In the annals of music history, certain names rise above the rest. In the 1940s, jazz exploded into American pop culture backed by the vision of two men, who believed in its complex rhythms, soaring melodies and mathematical chord progressions. Putting out nearly numerous undying jazz vinyl, Blue Note Records would soon take its rightful place as one of the primary forces in pushing both jazz's popularity and development.
Founded in 1939 by Alfred Lion and Max Margulis, Blue Note instantly grew into a force in the world of jazz. A 1939 session with pianists Albert Ammons and Meade Lux Lewis in a rented studio was the pair's first venture into recording and jazz vinyl. Conventional "hot" jazz and boogie-woogie were the label's first releases. Blue Note's first hit - the infectious performance of "Summertime" by saxophonist Sidney Bechet, which Bechet had been unable to record for the recognized companies - proved to be a breakthrough in the early days of jazz vinyl.
In Blue Note's earliest days, musicians were frequently supplied with alcohol as they recorded late into the night after their evening's work in the clubs and bars. The label quickly became famous for treating musicians unusually well, arranging sessions sometimes that were convenient to working musicians and giving them freedom and input as to the record's production.
While World War II proved to be a disruption to Blue Note's development, by late 1943, the label was back in business recording musicians and supplying jazz vinyl to the armed forces. Willing to record artists and styles that majority of other labels easily passed over, Blue Note brought some of the best musicians the U.S. has ever made to the forefront of the national music scene.
Through the 1940s and 50s, Blue Note found themselves at the forefront of the bebop and hard bop sounds, delivering them around the world on now-legendary jazz vinyl LPs. During the same era, iconic names like Thelonious Monk, Miles Davis, Hank Mobley, Lou Donaldson and Sonny Rollins all cut sides for the label or sat in as session players. Those recordings, still considered to be the best jazz ever recorded, stand as a witness to Blue Note's reach and influence.
The commercial feasibility of jazz came into questions also while America changed in the coming decades. Blue Note records lay dormant by 1979. But, EMI purchased the company that still owned Blue Note and launched an assertive reissue strategy in 1985. These days, the renaissance's remains in full swing as many of the class jazz vinyl reissues have become mainstays in vinyl albums' resurrection.
Founded in 1939 by Alfred Lion and Max Margulis, Blue Note instantly grew into a force in the world of jazz. A 1939 session with pianists Albert Ammons and Meade Lux Lewis in a rented studio was the pair's first venture into recording and jazz vinyl. Conventional "hot" jazz and boogie-woogie were the label's first releases. Blue Note's first hit - the infectious performance of "Summertime" by saxophonist Sidney Bechet, which Bechet had been unable to record for the recognized companies - proved to be a breakthrough in the early days of jazz vinyl.
In Blue Note's earliest days, musicians were frequently supplied with alcohol as they recorded late into the night after their evening's work in the clubs and bars. The label quickly became famous for treating musicians unusually well, arranging sessions sometimes that were convenient to working musicians and giving them freedom and input as to the record's production.
While World War II proved to be a disruption to Blue Note's development, by late 1943, the label was back in business recording musicians and supplying jazz vinyl to the armed forces. Willing to record artists and styles that majority of other labels easily passed over, Blue Note brought some of the best musicians the U.S. has ever made to the forefront of the national music scene.
Through the 1940s and 50s, Blue Note found themselves at the forefront of the bebop and hard bop sounds, delivering them around the world on now-legendary jazz vinyl LPs. During the same era, iconic names like Thelonious Monk, Miles Davis, Hank Mobley, Lou Donaldson and Sonny Rollins all cut sides for the label or sat in as session players. Those recordings, still considered to be the best jazz ever recorded, stand as a witness to Blue Note's reach and influence.
The commercial feasibility of jazz came into questions also while America changed in the coming decades. Blue Note records lay dormant by 1979. But, EMI purchased the company that still owned Blue Note and launched an assertive reissue strategy in 1985. These days, the renaissance's remains in full swing as many of the class jazz vinyl reissues have become mainstays in vinyl albums' resurrection.
Tuesday, 12 October 2010
Alternative Music: The Kings of Leon 'Radioactive'
This US band have been around for a while now and have consistently produced several albums of quality music. I saw them play in Berlin some years back and as a live act they take some beating. Through sheer hard work and persistence they have built up a substantial fan-base and deservedly so.
The song 'Radioactive', taken from their new album (which I haven't heard yet) doesn't really jump out at you as a single. I'm struggling to find the hook, if indeed there is one. It's decent enough though and, to be fair, Kings of Leon have never been a 'singles' band, relying more on their ability to make good albums. One just hopes that now, with their established success, they don't descend into the murky depths of stadium rock, to join the likes of U2 and Coldplay.
The song 'Radioactive', taken from their new album (which I haven't heard yet) doesn't really jump out at you as a single. I'm struggling to find the hook, if indeed there is one. It's decent enough though and, to be fair, Kings of Leon have never been a 'singles' band, relying more on their ability to make good albums. One just hopes that now, with their established success, they don't descend into the murky depths of stadium rock, to join the likes of U2 and Coldplay.
Alternative Music: Heavy Metal as Sound Therapy
Whenever I present to groups about sound therapy or talk with people at trade fairs, I often get expressions of concern and questions about heavy metal music. These are valid concerns, so I decided to take a closer look. My closer look has provided some interesting insight.
Heavy metal music has been a personal journey for our family. Our son, Matt, is lead guitar in a heavy metal band. It is his favorite music. He is a fabulously talented guitarist. Matt is also an early indigo child and one of the wisest, old souls I know. If I need advice, I will often ask Matt. He is one of the kindest, compassionate, joyful and authentic people I know.
Heavy metal music touched our family in a very personal way when Matt entered grade 10 in high school. By the second term, Matt was suffering from a clinical depression. For him, it was a true dark night of the soul.
Medication and intervention were refused as he relied on his own inner wisdom and healer. From a very young age, this wise old soul has preferred to heal himself. Mind you, for a broken arm, he was taken to the hospital. The doctors were amazed at how quickly he healed.
What he found during this dark night of the soul was an expression of what he was going through in the form of heavy metal music. If he was feeling really angry, for example, he would play some really angry music, we would plug our ears, and shortly, he would emerge from his room calmer.
Now, Matt regularly shares with me videos on youtube of his favorite bands and performers. We gleefully share our wonder over the technical and musical accomplishments of some of these guitarists. I also share with him my concern over the content of some of the songs and its effect on him. As a classically trained musician and sound and energy healer, I had some serious reservations about this style of music.
Many people enthusiastically condemn heavy metal music. You may even be aware of a court case or two brought against a band concerning its influence over young people. I believe that labeling it "bad" and shoving it under the rug may not be the wisest thing to do.
Music and art are reflections of what is going on in the heart, mind and soul of humanity. With heavy metal music, I believe that we are staring right into our collective shadow. What is the content of this shadow? Death, anger, fear, illness, sex, repressed weakness, shortcomings and instincts. Welcome to heavy metal.
Each of us is a mixture of light (like compassion) and shadow (like dark angry thoughts). We like very much to avoid the shadow. The problem is that the more we avoid or repress it, the darker it becomes.
Sometimes we have to turn out all the lights and sit in the dark to understand the nature of the darkness. Sometimes that experience becomes the dark night of the soul where we confront our own shadow side.
Humanity as a whole is undergoing a shift in consciousness right now and part of this shift involves understanding and creating a relationship with our collective shadow. As an individual, some of the unconsciousness mind becomes conscious. As a species, some of our collective unconscious is becoming conscious and we are getting a good look. As a result, humanity is experiencing a collective dark night of the soul.
The great psychiatrist, Carl Jung wrote about the shadow and coined the term collective unconscious. One of the things he said was, "To confront a person with his shadow is to show him his own light." (Good and Evil in Analytical Psychology (1959). In Collected Works 10. Civilization in Transition, p. 872.)
He also said, "One does not become enlightened by imagining figures of light, but by making the darkness conscious." (The Philosophical Tree (1945). In Collected Works 13: Alchemical Studies, p. 335.)
The gift of heavy metal music is that it forces us to look at our collective shadow. We have been shoving it under the rug for millennia. It has grown deep and dark there. By bubbling up in music and art, it forces us to take a good look and make some choices about what we see.
Heavy metal music has been a personal journey for our family. Our son, Matt, is lead guitar in a heavy metal band. It is his favorite music. He is a fabulously talented guitarist. Matt is also an early indigo child and one of the wisest, old souls I know. If I need advice, I will often ask Matt. He is one of the kindest, compassionate, joyful and authentic people I know.
Heavy metal music touched our family in a very personal way when Matt entered grade 10 in high school. By the second term, Matt was suffering from a clinical depression. For him, it was a true dark night of the soul.
Medication and intervention were refused as he relied on his own inner wisdom and healer. From a very young age, this wise old soul has preferred to heal himself. Mind you, for a broken arm, he was taken to the hospital. The doctors were amazed at how quickly he healed.
What he found during this dark night of the soul was an expression of what he was going through in the form of heavy metal music. If he was feeling really angry, for example, he would play some really angry music, we would plug our ears, and shortly, he would emerge from his room calmer.
Now, Matt regularly shares with me videos on youtube of his favorite bands and performers. We gleefully share our wonder over the technical and musical accomplishments of some of these guitarists. I also share with him my concern over the content of some of the songs and its effect on him. As a classically trained musician and sound and energy healer, I had some serious reservations about this style of music.
Many people enthusiastically condemn heavy metal music. You may even be aware of a court case or two brought against a band concerning its influence over young people. I believe that labeling it "bad" and shoving it under the rug may not be the wisest thing to do.
Music and art are reflections of what is going on in the heart, mind and soul of humanity. With heavy metal music, I believe that we are staring right into our collective shadow. What is the content of this shadow? Death, anger, fear, illness, sex, repressed weakness, shortcomings and instincts. Welcome to heavy metal.
Each of us is a mixture of light (like compassion) and shadow (like dark angry thoughts). We like very much to avoid the shadow. The problem is that the more we avoid or repress it, the darker it becomes.
Sometimes we have to turn out all the lights and sit in the dark to understand the nature of the darkness. Sometimes that experience becomes the dark night of the soul where we confront our own shadow side.
Humanity as a whole is undergoing a shift in consciousness right now and part of this shift involves understanding and creating a relationship with our collective shadow. As an individual, some of the unconsciousness mind becomes conscious. As a species, some of our collective unconscious is becoming conscious and we are getting a good look. As a result, humanity is experiencing a collective dark night of the soul.
The great psychiatrist, Carl Jung wrote about the shadow and coined the term collective unconscious. One of the things he said was, "To confront a person with his shadow is to show him his own light." (Good and Evil in Analytical Psychology (1959). In Collected Works 10. Civilization in Transition, p. 872.)
He also said, "One does not become enlightened by imagining figures of light, but by making the darkness conscious." (The Philosophical Tree (1945). In Collected Works 13: Alchemical Studies, p. 335.)
The gift of heavy metal music is that it forces us to look at our collective shadow. We have been shoving it under the rug for millennia. It has grown deep and dark there. By bubbling up in music and art, it forces us to take a good look and make some choices about what we see.
Alternative Music: the 60s and 70s
The 60's and 70's produced some of the best music ever created. Due to the political and social situations around the world and the rapid development of music and music technology at that time, music groups became megastars and helped shape society as a whole. The big question is: which decade produced the best music?
The 60's
Counterculture in the 60's saw many facets of society reject conventional social norms and no more so than in the world of music. New genres of psychedelic rock music produced some of the greatest musical icons in history and have become a testament to this decade.
The Beatles – You know them, you probably love them. The Beatles was the first pop band and created a sound which has influenced music and culture ever since.
Jimi Hendrix – Arguably the greatest electric guitarist in history and a major influence on the way in which people use the guitar. His ingenuity has greatly affected heavy rock, blues, funk and even hip-hop.
The Rolling Stones – With about 55 albums and 32 top 10 singles The Rolling Stones are one of the best selling rock bands ever.
Bob Dylan – He has been an icon in popular culture for 5 decades and was a major accent of the civil rights movement and the emerging counterculture revolution. Bob Dylan has massively influence countless genres of popular music
The 70's
The 70's saw a death of some of the 60's greatest stars (Hendrix, Joplin, Morrison - all at the age of 27) and ushered in a rise in the popularity of soft rock and, later in the decade, in a response to this, hard rock.
Pink Floyd – still touring today, they were marked as one of the most influential bands in the 70's progressive rock era. A critically acclaimed and commercial behemoth, Pink Floyd has produced some of the most prized albums in history, the concept albums 'The Dark Side of the Moon' and 'The Wall' among their greatest.
Led Zepplin – One of the founders of hard rock and heavy metal, their brand of heavy guitar driven rock have influence legions of metal and rock bands to this day. The band disbanded in 1980 after the death of their, arguably the greatest drummer in history, John Bonham.
Black Sabbath – The most influential heavy metal band of all time, defined the genre in the 70's. They helped ignite huge bands such as Slayer, Judas Preist, Guns n Roses, Metallica, Pantera, Iron Maiden and Megadeath.
The Ramones – The first punk rock group ever instigated the punk movement and influenced every punk band ever since, and were cited in Spin magazine in 2002 as the second most influential band in history, just behind the Beatles.
Conclusion
The debate goes on. The comparison to modern day music and entertainment can also be made, but with DJ agencies and karaoke hire more common forms of popular entertainment. It is impossible to choose which of these great decades was better as each have helped define practically all music in the following decades. (OK, maybe the 60's.) Some would say that no decades since have even come close to this period in music history. Which do you think is greater?
The 60's
Counterculture in the 60's saw many facets of society reject conventional social norms and no more so than in the world of music. New genres of psychedelic rock music produced some of the greatest musical icons in history and have become a testament to this decade.
The Beatles – You know them, you probably love them. The Beatles was the first pop band and created a sound which has influenced music and culture ever since.
Jimi Hendrix – Arguably the greatest electric guitarist in history and a major influence on the way in which people use the guitar. His ingenuity has greatly affected heavy rock, blues, funk and even hip-hop.
The Rolling Stones – With about 55 albums and 32 top 10 singles The Rolling Stones are one of the best selling rock bands ever.
Bob Dylan – He has been an icon in popular culture for 5 decades and was a major accent of the civil rights movement and the emerging counterculture revolution. Bob Dylan has massively influence countless genres of popular music
The 70's
The 70's saw a death of some of the 60's greatest stars (Hendrix, Joplin, Morrison - all at the age of 27) and ushered in a rise in the popularity of soft rock and, later in the decade, in a response to this, hard rock.
Pink Floyd – still touring today, they were marked as one of the most influential bands in the 70's progressive rock era. A critically acclaimed and commercial behemoth, Pink Floyd has produced some of the most prized albums in history, the concept albums 'The Dark Side of the Moon' and 'The Wall' among their greatest.
Led Zepplin – One of the founders of hard rock and heavy metal, their brand of heavy guitar driven rock have influence legions of metal and rock bands to this day. The band disbanded in 1980 after the death of their, arguably the greatest drummer in history, John Bonham.
Black Sabbath – The most influential heavy metal band of all time, defined the genre in the 70's. They helped ignite huge bands such as Slayer, Judas Preist, Guns n Roses, Metallica, Pantera, Iron Maiden and Megadeath.
The Ramones – The first punk rock group ever instigated the punk movement and influenced every punk band ever since, and were cited in Spin magazine in 2002 as the second most influential band in history, just behind the Beatles.
Conclusion
The debate goes on. The comparison to modern day music and entertainment can also be made, but with DJ agencies and karaoke hire more common forms of popular entertainment. It is impossible to choose which of these great decades was better as each have helped define practically all music in the following decades. (OK, maybe the 60's.) Some would say that no decades since have even come close to this period in music history. Which do you think is greater?
Alternative Music: The History of Soul
The history of Soul Music and R&B
Author: Roace Cooper
Soul Music has its beginnings in Gospel and R&B of the 1940s and 1950s. They both had major influences on key soul singers including Ray Charles and Aretha Franklin, just to name a couple.The birthplace of Soul Music, to be quite honest is unknown. What is known? The United States inner cities, including Chicago, Detroit, Florence, Memphis, and New York, all created and produced their own soul music styles based on their demographics at the same time, thus making a “beautiful mixture“ of sound variety across the states for us all to enjoy.In the 1970s, Hip Hop was born, which had a huge influence on the Soul Music that followed. New Jack Swing (aka Swing Beat), which combined Soul, Hip Hop, Gospel and Jazz, was absolutely rocking.Disco and Funk Music also came to fruition in the 1970s, and started to decline in the early 1980s. Undoubtedly, Soul Music was now being influenced by Electro Music and Funk - it became known as Contemporary R&B which was, and still is, great!.House and Techno rose to mainstream popularity in the late 1980s and remained popular in the 1990s and 2000s. Also starting in the 1980s, Soul Music from the United Kingdom became very popular - cheers mate!.The development of Neo-Soul started around 1994. This was due to mainstream record label marketing support for soul genres diminishing in the 2000s, as the industry re-focused on Hip Hop - somewhat of a master stroke by the powers that be.The many genres of Soul Music and R&B have reached a point, well before now of course, where they are now sub-divided into subgenres. To be side tracked, even though I have not mentioned it above, true Soul Music connoisseurs know that Rock and Roll was, literally, born from Soul Music and Rhythm and Blues….another day, another article.Subgenres:Detroit (Motown) Soul MusicStrongly rhythmic and influenced by gospel music - includes hand clapping, a powerful bass line - called “dub“, Violins and Bells.Deep Soul and Southern Soul MusicA driving, energetic soul style combining R&B's energy with pulsating - down south, Gospel Music. Memphis Soul MusicA shimmering, sultry style of soul music produced in the 1960s and 1970s - includes melancholic and melodic horns, organ, bass, and drums - truly remarkable.New Orleans Soul MusicDirectly came out of the R&B era - deep. Chicago Soul MusicA light gospel-influenced sound - emotional.Philadelphia Soul Music AKA Philly Soul - Orchestral sound and “doo-wop” vocals. Psychedelic Soul MusicA blend of psychedelic rock and soul music, which paved the way for funk music a few years later - yeah buddy!.Blue-eyed Soul MusicPerformed by white artists, it has evolved over decades and to a lesser extent, the term has been applied to singers in other music genres that are influenced by Soul Music - Kenny G is truly a great artist.Neo Soul MusicA musical blend of 1970s soul-style vocals and instrumentation with contemporary R&B sounds, hip hop beats and poetic interludes - to chill out!.Northern Soul and Modern Soul MusicRare Soul Music that was played by DJs at nightclubs in northern England - includes obscure 1960s and early 1970s American soul recordings - It‘s the vibes that matter.Nu-Jazz and soulful electronica Music Various genres of electronic music such as House, Drum & Bass, UK Garage, and Down tempo - the fusion is “you are on one!”There is something about really fantastic old rare soul music that will always stay with you , and will always have you wanting more of “the vintage stuff.” Well look no further, because finally, there is this highly popular R&B and Rare Soul Grooves website featuring Soul Music TV. Want to watch FREE 24 hour Soul Music Internet TV and receive 4 FREE Rare Soul CD Samplers?Then visit: http://www.raresoulgrooves.com/106.htmlSoulgrooves
Article Source: http://www.articlesbase.com/music-articles/the-history-of-soul-music-and-rb-902006.html
Author: Roace Cooper
Soul Music has its beginnings in Gospel and R&B of the 1940s and 1950s. They both had major influences on key soul singers including Ray Charles and Aretha Franklin, just to name a couple.The birthplace of Soul Music, to be quite honest is unknown. What is known? The United States inner cities, including Chicago, Detroit, Florence, Memphis, and New York, all created and produced their own soul music styles based on their demographics at the same time, thus making a “beautiful mixture“ of sound variety across the states for us all to enjoy.In the 1970s, Hip Hop was born, which had a huge influence on the Soul Music that followed. New Jack Swing (aka Swing Beat), which combined Soul, Hip Hop, Gospel and Jazz, was absolutely rocking.Disco and Funk Music also came to fruition in the 1970s, and started to decline in the early 1980s. Undoubtedly, Soul Music was now being influenced by Electro Music and Funk - it became known as Contemporary R&B which was, and still is, great!.House and Techno rose to mainstream popularity in the late 1980s and remained popular in the 1990s and 2000s. Also starting in the 1980s, Soul Music from the United Kingdom became very popular - cheers mate!.The development of Neo-Soul started around 1994. This was due to mainstream record label marketing support for soul genres diminishing in the 2000s, as the industry re-focused on Hip Hop - somewhat of a master stroke by the powers that be.The many genres of Soul Music and R&B have reached a point, well before now of course, where they are now sub-divided into subgenres. To be side tracked, even though I have not mentioned it above, true Soul Music connoisseurs know that Rock and Roll was, literally, born from Soul Music and Rhythm and Blues….another day, another article.Subgenres:Detroit (Motown) Soul MusicStrongly rhythmic and influenced by gospel music - includes hand clapping, a powerful bass line - called “dub“, Violins and Bells.Deep Soul and Southern Soul MusicA driving, energetic soul style combining R&B's energy with pulsating - down south, Gospel Music. Memphis Soul MusicA shimmering, sultry style of soul music produced in the 1960s and 1970s - includes melancholic and melodic horns, organ, bass, and drums - truly remarkable.New Orleans Soul MusicDirectly came out of the R&B era - deep. Chicago Soul MusicA light gospel-influenced sound - emotional.Philadelphia Soul Music AKA Philly Soul - Orchestral sound and “doo-wop” vocals. Psychedelic Soul MusicA blend of psychedelic rock and soul music, which paved the way for funk music a few years later - yeah buddy!.Blue-eyed Soul MusicPerformed by white artists, it has evolved over decades and to a lesser extent, the term has been applied to singers in other music genres that are influenced by Soul Music - Kenny G is truly a great artist.Neo Soul MusicA musical blend of 1970s soul-style vocals and instrumentation with contemporary R&B sounds, hip hop beats and poetic interludes - to chill out!.Northern Soul and Modern Soul MusicRare Soul Music that was played by DJs at nightclubs in northern England - includes obscure 1960s and early 1970s American soul recordings - It‘s the vibes that matter.Nu-Jazz and soulful electronica Music Various genres of electronic music such as House, Drum & Bass, UK Garage, and Down tempo - the fusion is “you are on one!”There is something about really fantastic old rare soul music that will always stay with you , and will always have you wanting more of “the vintage stuff.” Well look no further, because finally, there is this highly popular R&B and Rare Soul Grooves website featuring Soul Music TV. Want to watch FREE 24 hour Soul Music Internet TV and receive 4 FREE Rare Soul CD Samplers?Then visit: http://www.raresoulgrooves.com/106.htmlSoulgrooves
Article Source: http://www.articlesbase.com/music-articles/the-history-of-soul-music-and-rb-902006.html
Monday, 11 October 2010
Robbie Williams & Gary Barlow: Shame
Robbie the successful ex Take That member teams up with Gary, the talented one for this banal but somehow charming ditty. It's about patching up their differences, getting over past resentments and all that wise, worthy stuff. Gary Barlow was and still is a highly talented songwriter and one wonders if Robbie stuck his oar in to help out with the lyric since it does feature one god-awful line about 'your poster 30 foot high at the back of Toys For Us' (which conveniently rhymes with 'bus') but setting that aside, the song is quite listenable and pleasant enough.
The video, I'm sorry, is really quite bad. Robbie and Gary sitting at a bar singing lines at each another just looks downright silly and the final scene with them disappearing over a cliff-top, both stripped to the waist, arm in arm, seems like a rather cynical salute to their substantial fan-base of gay men. But then again, maybe it's just me being the cynical one. Anyway, it's a sure bet that this will top the chart either next week or the week after.
The video, I'm sorry, is really quite bad. Robbie and Gary sitting at a bar singing lines at each another just looks downright silly and the final scene with them disappearing over a cliff-top, both stripped to the waist, arm in arm, seems like a rather cynical salute to their substantial fan-base of gay men. But then again, maybe it's just me being the cynical one. Anyway, it's a sure bet that this will top the chart either next week or the week after.
A Successful Career in the Music Business
Careers in the Music Business is something that many people dream about. Unfortunately, this dream comes true only for a small number of people. But things have changed a great deal in the music industry over the past ten years. With the emergence of the Internet and the numerous technical advances that we have witnessed, things are a lot different now in this industry. Business models have changed and so have the ways of recording, distributing and marketing music. The digital music revolution that we are now experiencing has opened the doors for those of you who wish to Create Your Own Record Label or embark on a Music Business Career. If you are one of those people who want to make a name for themselves in the music industry, but are still waiting for a major breakthrough, you should keep reading. This article will reveal some valuable information on how to have that successful music career that you are dreaming of.
Music careers seem an impossible goal for many aspiring artists. For instance, a talented and passionate hip hop artist will most likely find it impossible to have a successful music career unless he or she has a very good starting point. No matter how talented or determined you may be, unless you know where to start, you have very poor chances of getting somewhere. And this starting point means good hip hop industry music contacts and professional assistance from a good hip hop music producer. A reputable music and entertainment consultancy company can point you in the right direction. Their experienced music industry professionals work with major record companies and handle numerous well-known acts each year. They have the necessary experience and connections to provide you with a comprehensive list of hip hop a r contacts and set you on the right track to hip hop beat production and a successful career.
A career in the music industry does not necessarily require musical talent or a great voice. You can be a successful songwriter, manager, promoter, producer or marketer. Irrespective of the kind of music job that you aspire to, you need professional guidance through the entrepreneurial process of setting up your own business venture. Record label start up can be a very challenging task if you know very little about how things work. But if you are guided through this process, you will find that creating a successful record label is an attainable goal. A good music business plan guide will make your dream come true in no time.
The music industry offers many opportunities for stardom and fame, even if your talent has got nothing to do with performing live on stage. If you are passionate about music, there are many music jobs that can make you famous and successful. If your dream is to be in the music industry, in areas such as promoting, marketing or production, you need a sound music business plan guide plan, professional assistance through the entrepreneurial process and access to a comprehensive list of industry contacts.
Music careers seem an impossible goal for many aspiring artists. For instance, a talented and passionate hip hop artist will most likely find it impossible to have a successful music career unless he or she has a very good starting point. No matter how talented or determined you may be, unless you know where to start, you have very poor chances of getting somewhere. And this starting point means good hip hop industry music contacts and professional assistance from a good hip hop music producer. A reputable music and entertainment consultancy company can point you in the right direction. Their experienced music industry professionals work with major record companies and handle numerous well-known acts each year. They have the necessary experience and connections to provide you with a comprehensive list of hip hop a r contacts and set you on the right track to hip hop beat production and a successful career.
A career in the music industry does not necessarily require musical talent or a great voice. You can be a successful songwriter, manager, promoter, producer or marketer. Irrespective of the kind of music job that you aspire to, you need professional guidance through the entrepreneurial process of setting up your own business venture. Record label start up can be a very challenging task if you know very little about how things work. But if you are guided through this process, you will find that creating a successful record label is an attainable goal. A good music business plan guide will make your dream come true in no time.
The music industry offers many opportunities for stardom and fame, even if your talent has got nothing to do with performing live on stage. If you are passionate about music, there are many music jobs that can make you famous and successful. If your dream is to be in the music industry, in areas such as promoting, marketing or production, you need a sound music business plan guide plan, professional assistance through the entrepreneurial process and access to a comprehensive list of industry contacts.
Using Music Charts to find New Music
If you like to listen to music then you probably are already aware of some of the more famous top music charts. There is however many other music charts to be found. Regardless of the type of music you listen to you can find a music chart that tracks the top music in your favorite genre.
Finding popular music charts online is easy. You can do simply Google searches or you can look at a music website such as ITunes and view their various music charts.
One great thing about top music lists is that if you are introduced to a new form of music such as Reggae then you can find other popular Reggae music that you may also like.
One of the best ways of finding popular music charts is to use a popular website such as ITunes. You can look at all of the music charts and lists they offer even if you never purchase any MP3’s from them. You can find musical charts that encompass all forms of music. These charts are spectacular for finding new artists and popular songs.
Emerging trends on musical charts allow new artists that have a hit song to be able to get more airplay on their other songs that are not as popular. By tracking musical charts you can find songs you like a lot but never get any radio airplay. Just because a song is not played a lot on the radio does not mean you won’t like it. Musical Charts help you find these songs.
Article Tags: Music Charts, Musical Charts
Source: Free Articles from ArticlesFactory.com
Finding popular music charts online is easy. You can do simply Google searches or you can look at a music website such as ITunes and view their various music charts.
One great thing about top music lists is that if you are introduced to a new form of music such as Reggae then you can find other popular Reggae music that you may also like.
One of the best ways of finding popular music charts is to use a popular website such as ITunes. You can look at all of the music charts and lists they offer even if you never purchase any MP3’s from them. You can find musical charts that encompass all forms of music. These charts are spectacular for finding new artists and popular songs.
Emerging trends on musical charts allow new artists that have a hit song to be able to get more airplay on their other songs that are not as popular. By tracking musical charts you can find songs you like a lot but never get any radio airplay. Just because a song is not played a lot on the radio does not mean you won’t like it. Musical Charts help you find these songs.
Article Tags: Music Charts, Musical Charts
Source: Free Articles from ArticlesFactory.com
The Cycle of Pop Music
The Cycle of Pop Music
Author: John Parks
Rock music has always had its critics and those that wish that rock and pop music would just go away. But over the years rock has proven to be pretty resilient and has withstood the test of time. Pop music is a bit of a different animal than rock music although the two genres do tend to cross over a great deal. Rock music is usually classified as music driven by electric guitar and all the various sub-genres of rock are usually identified with electric guitar driven music. Rock usually has a certain angst or message to it and many in the rock music industry take their music and their message very seriously. Pop music is usually a little more encompassing than rock music. Pop music is used to identify music that seems to be universally popular with a large audience and can cross over from genre to genre. Pop is usually accepted as being short for popular so what we are really dealing with here is what the music industry considers to be popular music which translates into music that has greater potential to sell a lot of records. Pop music is music that is designed to be catchy to the ear and grab a large audience right away. Many newer country artists are starting to write songs that are country but are also being classified as pop because of their universally catchy hooks. Sometimes pop can create other genres of music due to the growing popularity of the music within the pop genre. Disco was pop music until it evolved into its own music genre and became very popular in the 1970's. Hip Hop is a mixing of rap and pop music that has become an extremely popular sub-genre of pop and stands today as one of the most popular genres of music in the industry. But rock music always seems to be there whether it is in the background as it was in the 1980's or in the foreground as it was in the 1960's and seems to be again today. Rock music seems to work in cycles and those cycles are definitely influenced by the popularity of pop music at the time. It seems that there is a large audience within the music industry that likes to jump from one genre to the next and that audience is the one that creates the pop music crazes that rule from year to year and that audience also dictates when rock music is at its peak and when rock music seems to be in decline. In the days when Britney Spears and Christine Aguilera were at the peak of their popularity pop music was at its peak which cause people to lose interest in rock music. Artists such as Pearl Jam and Metallica seemed to lose their luster and their record sales shifted to those acts offering a more pop music sound. Today acts like The White Stripes and The Killers are starting to bring rock music back to the forefront and it won't be long before rock music is giving hip hop and other forms of pop music a run for their money. For more information on music, visit http://concertsmicroblog.com and http://djmicroblog.com
Article Source: http://www.articlesbase.com/music-articles/the-cycle-of-pop-music-839266.html
Author: John Parks
Rock music has always had its critics and those that wish that rock and pop music would just go away. But over the years rock has proven to be pretty resilient and has withstood the test of time. Pop music is a bit of a different animal than rock music although the two genres do tend to cross over a great deal. Rock music is usually classified as music driven by electric guitar and all the various sub-genres of rock are usually identified with electric guitar driven music. Rock usually has a certain angst or message to it and many in the rock music industry take their music and their message very seriously. Pop music is usually a little more encompassing than rock music. Pop music is used to identify music that seems to be universally popular with a large audience and can cross over from genre to genre. Pop is usually accepted as being short for popular so what we are really dealing with here is what the music industry considers to be popular music which translates into music that has greater potential to sell a lot of records. Pop music is music that is designed to be catchy to the ear and grab a large audience right away. Many newer country artists are starting to write songs that are country but are also being classified as pop because of their universally catchy hooks. Sometimes pop can create other genres of music due to the growing popularity of the music within the pop genre. Disco was pop music until it evolved into its own music genre and became very popular in the 1970's. Hip Hop is a mixing of rap and pop music that has become an extremely popular sub-genre of pop and stands today as one of the most popular genres of music in the industry. But rock music always seems to be there whether it is in the background as it was in the 1980's or in the foreground as it was in the 1960's and seems to be again today. Rock music seems to work in cycles and those cycles are definitely influenced by the popularity of pop music at the time. It seems that there is a large audience within the music industry that likes to jump from one genre to the next and that audience is the one that creates the pop music crazes that rule from year to year and that audience also dictates when rock music is at its peak and when rock music seems to be in decline. In the days when Britney Spears and Christine Aguilera were at the peak of their popularity pop music was at its peak which cause people to lose interest in rock music. Artists such as Pearl Jam and Metallica seemed to lose their luster and their record sales shifted to those acts offering a more pop music sound. Today acts like The White Stripes and The Killers are starting to bring rock music back to the forefront and it won't be long before rock music is giving hip hop and other forms of pop music a run for their money. For more information on music, visit http://concertsmicroblog.com and http://djmicroblog.com
Article Source: http://www.articlesbase.com/music-articles/the-cycle-of-pop-music-839266.html
Saturday, 9 October 2010
Maroon 5: Misery
This is apparently a slowed down version of the original. I don't think a change of tempo would especially change my judgment on this one. The intro and first verse sound reasonably promising but the song is let down by a 'miserably' weak, bland chorus and the usual cliched vocal/vocoder effects so depressingly ubiquitous in contemporary music production.
This song received multiple grammy awards proving yet again that such awards are obviously not based on merit of any kind. One wonders how much money changed hands.
The band look like a bizarre mix of individuals. The two blond-haired hippy-types were presumably included to broaden the band's market appeal. Maroon 5, Jackson 5? Don't think so.
This song received multiple grammy awards proving yet again that such awards are obviously not based on merit of any kind. One wonders how much money changed hands.
The band look like a bizarre mix of individuals. The two blond-haired hippy-types were presumably included to broaden the band's market appeal. Maroon 5, Jackson 5? Don't think so.
Music Licensing
Accessing music with a view to using them in the television serials or advertisements has become much easier with the gradual fading away of the music publishers and middlemen. Availing the torrents of music is possible simply by logging into the internet and entering the specific words in the search box.
The artists of the generation Y are adopting the direct route of music licensing shunning the help of the middlemen. Licensing of music is a tricky process to safeguard the creations of the artists who will not love to devout themselves to such a time-consuming task. They are not the experts to close the best deal in their favors. In case of music licensing, the music supervisors should try to lower the risk level and lessen the cost as much as possible. In order to do that, they should not let a few important points pass into limbo.
They music supervisors have to gather some basic information which is imperative to chop down the cost required in the process of music licensing. One should start by collecting very basic information. Though such information is not directly related with the cost-lessening objective, still having them collected signifies the systematic approach to the whole gamut of the procedure of music licensing. The very vital information includes the phone number and e-mail address of the artist.
A music supervisor should also know if the artist is represented by any attorney or management group. They can take the initiative of bargaining to accelerate the process of music licensing. The agreement of licensing differs fitting the requirement of the artists. It is the sole responsibility of the music supervisor to determine which type of licensing fits one’s particular needs. They also take care of the necessary process of drafting. The established music licensing companies are experienced in handling the music licensing process and the supervisors may get to know the newer aspects by working with them. Such companies accomplish the task of licensing music in a very systematic way. The brilliant creations of the artists are owned by the companies which then assign the task of managing it to its employees.
The creation to be licensed must be the original one. The music supervisor has every right to ask the artist to give proof in support of the originality of his or her creation. The supervisor acts as coordinator and should be sure of dealing with the genuine party. The involvement of an unauthorized person will surely mar the procedure of music licensing.
The artists of the generation Y are adopting the direct route of music licensing shunning the help of the middlemen. Licensing of music is a tricky process to safeguard the creations of the artists who will not love to devout themselves to such a time-consuming task. They are not the experts to close the best deal in their favors. In case of music licensing, the music supervisors should try to lower the risk level and lessen the cost as much as possible. In order to do that, they should not let a few important points pass into limbo.
They music supervisors have to gather some basic information which is imperative to chop down the cost required in the process of music licensing. One should start by collecting very basic information. Though such information is not directly related with the cost-lessening objective, still having them collected signifies the systematic approach to the whole gamut of the procedure of music licensing. The very vital information includes the phone number and e-mail address of the artist.
A music supervisor should also know if the artist is represented by any attorney or management group. They can take the initiative of bargaining to accelerate the process of music licensing. The agreement of licensing differs fitting the requirement of the artists. It is the sole responsibility of the music supervisor to determine which type of licensing fits one’s particular needs. They also take care of the necessary process of drafting. The established music licensing companies are experienced in handling the music licensing process and the supervisors may get to know the newer aspects by working with them. Such companies accomplish the task of licensing music in a very systematic way. The brilliant creations of the artists are owned by the companies which then assign the task of managing it to its employees.
The creation to be licensed must be the original one. The music supervisor has every right to ask the artist to give proof in support of the originality of his or her creation. The supervisor acts as coordinator and should be sure of dealing with the genuine party. The involvement of an unauthorized person will surely mar the procedure of music licensing.
Get on the Bus
i
Rock ‘n Roll buses can be travelling frat houses. There’s little privacy, and they often smell like a combination of urine and diesel fumes. Remember that they stop almost exclusively at truck stops and not travelers rest areas (that gets old fast). The essential thing about bus touring is that it’s really your home away from home. Here’s how it works: the bus driver gets quality sleep in his hotel room while you’re hard at work sound checking, appearing at the local radio station, or actually playing the show. As the band blasts into the final chord of the gig, Mr. Bus Driver resurfaces from slumber land and heads for the bus where he waits for you and the rest of the band. You get on and wait for the crew to pack up everything — gear, lights, P. A., and monitors.
A couple of hours later, when this is finished and everyone has boarded the bus, it drives overnight to the city of the next engagement. It’s during this drive that you’re supposed to sleep. (I don’t know about you, but it’s hard for me to sleep well on a bus. I keep dreaming I’ll wake up to find the bus driver asleep in a bunk and no one at the wheel!).
When we reach the next city, the bus parks near the venue. Makes sense right? But here’s the juicy part: Let’s say that the bus arrives at that city, after driving 350 miles, around 6AM. What do I do? Most of the time, I’ll continue sleeping for a couple of hours. If I wake up at 10am — now what? Breakfast? Shower? Phone calls? Visit relatives? Maybe. If the bus isn’t parked in the thriving center of town, none of this might be possible. It’s been my experience, in fact, that theaters and clubs are often on the outskirts of town and are sometimes in their most downright funky neighborhoods.
I can shower in the club, provided they have one that I’d be comfortable using. I can dine at the McDonalds down the road a mile or so, provided I’m up for a brisk walk through heavy traffic. As a rule, the bus always stays at the gig. Phone calls can be made and my distant cousin is a mere $20 cab ride away.
Okay, let’s say that I’ve successfully negotiated my morning routine. It’s only noon, and sound check doesn’t begin until 5pm. Now what? As much as I try to be productive, this aspect of bus touring can be really limiting and cramp my style. The best solution is to have a hotel booked. This brings us to our next surprise.
NO TELL HOTEL…
Surprise #2 — Accommodations. DO NOT, I REPEAT, DO NOT assume that you’ll be in a hotel every night. In fact, most bus tours only provide hotels on days off. Management reasons that if we’ll be getting to the club’s parking lot at 6am, it’ll just be easier for us to stay there, at the venue. ALL DAY.
Management will also reason that check-in time at the hotel isn’t until 1pm, and that we’d have to check out at 4pm to make 5pm sound check anyway, so why bother? If right now you’re asking why we have to check out of the hotel, just remember the overnight bus ride. In my experience, the band either checks out before sound check, or on the way out of town.
Management loves this because they save large sums of money (courtesy of your discomfort) on hotels during the duration of the tour. Please let me clarify one thing here: If you are on tour with a band in which you’re a full member, by all means, save money any way you can. I’m assuming here instead that you’re a hired sideman.
So, at this time, I might remind our friendly tour manager that many hotels offer an early check-in. And here’s where I see his shoulders hunch up, as he pretends like he’s learning about early check-in for the very first time! I watch him squirm. As long as it’s set up as such in advance, there should be a hotel room ready upon arrival.
The Perfect Bus Day
My friends, here’s how it should really work: The bus pulls up at the gig. The crew continues sleeping on in a drunken stupor, until their 10am equipment load-in. My band mates and I step off of the bus and into a cab that the tour manager has called. The cab takes us to a nearby hotel, where I check into my room.
I now have the day to rest, write postcards, make phone calls, practice and whatever else I may want. There is one hitch, however. Don’t assume you’ll get your own room. Many tours encourage doubling-up on rooms, obviously to save even more money. But why anyone would want to share a room with someone they’re already spending 18 hours a day with is beyond me.
You may be wondering why management is so concerned with saving money. After all, this is Rock ‘n Roll, ain’t it? Well, to their credit, management has to run a tour like they would any other business. They have to look at the numbers to make sure that the tour is bringing in more than it’s shelling out. After all, my salary is being paid out of the money that the tour is generating. Management’s job is to run the tour efficiently, and cut excess spending everywhere they can.
All of that’s okay, but here’s where I get fired up… Sometimes, the tour goes extremely well, like an oiled machine. It’s also generating large sums of money. Wouldn’t you think that as profits go up, accommodations would get better, and everyone would get more pay, too?
Unfortunately, this doesn’t happen all of the time. Often, when a tour begins to pull in a lot of dough, the artist and management may want even more corners cut. To avoid what I term “diminishing returns” as one helps the artist to make an even greater profit while perhaps accepting something less than spectacular for yourself, think about negotiating for what will become a better deal down the road, when and if revenues permit. Otherwise, relatively speaking, a salary can become less than what it was when one started.
Rock ‘n Roll buses can be travelling frat houses. There’s little privacy, and they often smell like a combination of urine and diesel fumes. Remember that they stop almost exclusively at truck stops and not travelers rest areas (that gets old fast). The essential thing about bus touring is that it’s really your home away from home. Here’s how it works: the bus driver gets quality sleep in his hotel room while you’re hard at work sound checking, appearing at the local radio station, or actually playing the show. As the band blasts into the final chord of the gig, Mr. Bus Driver resurfaces from slumber land and heads for the bus where he waits for you and the rest of the band. You get on and wait for the crew to pack up everything — gear, lights, P. A., and monitors.
A couple of hours later, when this is finished and everyone has boarded the bus, it drives overnight to the city of the next engagement. It’s during this drive that you’re supposed to sleep. (I don’t know about you, but it’s hard for me to sleep well on a bus. I keep dreaming I’ll wake up to find the bus driver asleep in a bunk and no one at the wheel!).
When we reach the next city, the bus parks near the venue. Makes sense right? But here’s the juicy part: Let’s say that the bus arrives at that city, after driving 350 miles, around 6AM. What do I do? Most of the time, I’ll continue sleeping for a couple of hours. If I wake up at 10am — now what? Breakfast? Shower? Phone calls? Visit relatives? Maybe. If the bus isn’t parked in the thriving center of town, none of this might be possible. It’s been my experience, in fact, that theaters and clubs are often on the outskirts of town and are sometimes in their most downright funky neighborhoods.
I can shower in the club, provided they have one that I’d be comfortable using. I can dine at the McDonalds down the road a mile or so, provided I’m up for a brisk walk through heavy traffic. As a rule, the bus always stays at the gig. Phone calls can be made and my distant cousin is a mere $20 cab ride away.
Okay, let’s say that I’ve successfully negotiated my morning routine. It’s only noon, and sound check doesn’t begin until 5pm. Now what? As much as I try to be productive, this aspect of bus touring can be really limiting and cramp my style. The best solution is to have a hotel booked. This brings us to our next surprise.
NO TELL HOTEL…
Surprise #2 — Accommodations. DO NOT, I REPEAT, DO NOT assume that you’ll be in a hotel every night. In fact, most bus tours only provide hotels on days off. Management reasons that if we’ll be getting to the club’s parking lot at 6am, it’ll just be easier for us to stay there, at the venue. ALL DAY.
Management will also reason that check-in time at the hotel isn’t until 1pm, and that we’d have to check out at 4pm to make 5pm sound check anyway, so why bother? If right now you’re asking why we have to check out of the hotel, just remember the overnight bus ride. In my experience, the band either checks out before sound check, or on the way out of town.
Management loves this because they save large sums of money (courtesy of your discomfort) on hotels during the duration of the tour. Please let me clarify one thing here: If you are on tour with a band in which you’re a full member, by all means, save money any way you can. I’m assuming here instead that you’re a hired sideman.
So, at this time, I might remind our friendly tour manager that many hotels offer an early check-in. And here’s where I see his shoulders hunch up, as he pretends like he’s learning about early check-in for the very first time! I watch him squirm. As long as it’s set up as such in advance, there should be a hotel room ready upon arrival.
The Perfect Bus Day
My friends, here’s how it should really work: The bus pulls up at the gig. The crew continues sleeping on in a drunken stupor, until their 10am equipment load-in. My band mates and I step off of the bus and into a cab that the tour manager has called. The cab takes us to a nearby hotel, where I check into my room.
I now have the day to rest, write postcards, make phone calls, practice and whatever else I may want. There is one hitch, however. Don’t assume you’ll get your own room. Many tours encourage doubling-up on rooms, obviously to save even more money. But why anyone would want to share a room with someone they’re already spending 18 hours a day with is beyond me.
You may be wondering why management is so concerned with saving money. After all, this is Rock ‘n Roll, ain’t it? Well, to their credit, management has to run a tour like they would any other business. They have to look at the numbers to make sure that the tour is bringing in more than it’s shelling out. After all, my salary is being paid out of the money that the tour is generating. Management’s job is to run the tour efficiently, and cut excess spending everywhere they can.
All of that’s okay, but here’s where I get fired up… Sometimes, the tour goes extremely well, like an oiled machine. It’s also generating large sums of money. Wouldn’t you think that as profits go up, accommodations would get better, and everyone would get more pay, too?
Unfortunately, this doesn’t happen all of the time. Often, when a tour begins to pull in a lot of dough, the artist and management may want even more corners cut. To avoid what I term “diminishing returns” as one helps the artist to make an even greater profit while perhaps accepting something less than spectacular for yourself, think about negotiating for what will become a better deal down the road, when and if revenues permit. Otherwise, relatively speaking, a salary can become less than what it was when one started.
A Musical Child is not Born with his Talents
i
Many people think that their lack of musical ear is due to heredity as nobody in the family had talent for music. They are not wrong but not right either.
If you are one of those who wish to sing but cannot if people are around, you are not alone. Deep down you think you are a musical child who will one day blossom under the right music teacher, but your dream just remains a dream.
Then you marry and have a child and you think, "Maybe my child will have a talent for music. Maybe some ancestor of ours had a musical ear and could play an instrument!" But your child becomes an adult and doesn't even look at any instrument. "Just my luck!" you lament.
Meanwhile you keep hearing from the media how music helps develop children and makes them smarter, and how a musical child has 40 percent more IQ than regular children! Why not your or your child?
Now this might come as a surprise to you, but every newborn that does not have hearing impediments can turn into a great singer, musician or composer. You might exclaim, "How is that possible? How can I turn my kid into a great performer if I don't understand a thing of musical education?"
Relax, you need not have all the information at the beginning. If you just create an atmosphere conducive to music at home, it is enough.
You can simply start by playing music daily at home. Listen to anything you like, but start as soon as you (or your wife) get pregnant. When your baby is born, give him a lot of toys that make musical sounds. The purpose is to expose him to melodious music right from the beginning and make him a musical child.
The more your child listens to music, the faster he learns it and accumulates musical impressions that will one day give him great musical abilities like sense of rhythm.
Just like no child can start speaking sentences directly without first speaking syllables and words, similarly no child can develop a musical ear all of a sudden without first accumulating the auditory impressions!
Don't believe stories that claim that a musical child gets his talent through genes. You can't inherit talent, you need to develop it! And every child who is not born deaf has this opportunity to become an excellent musician.
An advice for you before I conclude: If you don't have a musical ear, which means you cannot sing in tune, please don't sing in the presence of your child. Never!
Many people think that their lack of musical ear is due to heredity as nobody in the family had talent for music. They are not wrong but not right either.
If you are one of those who wish to sing but cannot if people are around, you are not alone. Deep down you think you are a musical child who will one day blossom under the right music teacher, but your dream just remains a dream.
Then you marry and have a child and you think, "Maybe my child will have a talent for music. Maybe some ancestor of ours had a musical ear and could play an instrument!" But your child becomes an adult and doesn't even look at any instrument. "Just my luck!" you lament.
Meanwhile you keep hearing from the media how music helps develop children and makes them smarter, and how a musical child has 40 percent more IQ than regular children! Why not your or your child?
Now this might come as a surprise to you, but every newborn that does not have hearing impediments can turn into a great singer, musician or composer. You might exclaim, "How is that possible? How can I turn my kid into a great performer if I don't understand a thing of musical education?"
Relax, you need not have all the information at the beginning. If you just create an atmosphere conducive to music at home, it is enough.
You can simply start by playing music daily at home. Listen to anything you like, but start as soon as you (or your wife) get pregnant. When your baby is born, give him a lot of toys that make musical sounds. The purpose is to expose him to melodious music right from the beginning and make him a musical child.
The more your child listens to music, the faster he learns it and accumulates musical impressions that will one day give him great musical abilities like sense of rhythm.
Just like no child can start speaking sentences directly without first speaking syllables and words, similarly no child can develop a musical ear all of a sudden without first accumulating the auditory impressions!
Don't believe stories that claim that a musical child gets his talent through genes. You can't inherit talent, you need to develop it! And every child who is not born deaf has this opportunity to become an excellent musician.
An advice for you before I conclude: If you don't have a musical ear, which means you cannot sing in tune, please don't sing in the presence of your child. Never!
Friday, 8 October 2010
The Script: For the First Time
No official video for this but a youtube user's version with the lyric provides some amusement and even head-scratching for the listener. One minute we're in the local bar 'drinking Jack' (Jack Daniels I assume) then we're 'drinking old cheap bottles of wine' which sounds like a bad idea to me. Don't these lads know about mixing drinks?
At 1.15 we get the lyric 'uuuhhhh' which can only be the morning after.
And what exactly is happening 'for the first time'? We are never told. Trying to write a song maybe? A half-decent lyric? Instant fail on both counts.
At 1.15 we get the lyric 'uuuhhhh' which can only be the morning after.
And what exactly is happening 'for the first time'? We are never told. Trying to write a song maybe? A half-decent lyric? Instant fail on both counts.
The Thrill is Gone: Jazz Vinyl and Rock Vinyl
B.B. King previously sang "The thrill is gone," (sounding better on vinyl album) and when it comes to the present state of music, I have to agree. Music is an art form that must forever evolve whether we're admirers of those changes or not; I'm not one to assess one period to another and state either better. When I say the thrill is gone, I'm speaking about the way we, as enthusiasts, interact and use our music. Let me make it clear.
I'm a member of a unique generation. I was born into what some people only a few years younger might call a world of Luddites. Vinyl LPs and turntables were the norm, but as technology marched on, our music became portable. What we sacrificed in matter, we compensated in handiness, as is normally the case.
But then again, what makes my generation unique is that we entered a world with technological limitations in spite of that, embraced any and all advances. At present, I love my iPod. I admit it. The prospect of thousands of songs at my disposal is fantastic. And let's face it, hauling crates of records, not to mention turntables, amps and speakers along with me is just plain unfeasible. Even so, soaked in a sea of MP3s, torrents and burned CDs is the very lore that made music such a primary part of my life.
Vinyl Albums - complete with the cover art, jackets and linear notes - were more than just a collection of songs. They served a personal introduction to countless artists, doorways by which you felt a deeper connection to their music. Every vinyl lp was a case study where you'd follow along with the lyrics in that perfect marriage between the written word and melody. You discovered who wrote the songs, who produced them, where and when they were recorded and any other tiny information you could store away in your memory banks. Even that little nod from artist to listeners that said, "This is how I'd like you to hear my music", the sequencing was crucial. Listening to music was an active pursuit, hardly a passive afterthought.
Now we've traded titles for track numbers, cover art for skins and probably the worst of all, quantity for knowledge. I've encountered various records in the previous year that I've absolutely appreciated. Even so, beyond a name of a band and perhaps the name of the vinyl album, I don't have much for you. I can relate to you which tracks are my favorites but to name them would be just an educated presumption. I couldn't single them out of a magazine. I can't even tell you their names. They are faceless, nameless, a mere collection of riffs. I can pick and choose the songs I like, destroying the lost art of the album. The thrill, B.B., is without a doubt gone.
If this is the tragedy of digital music, then it is a sad ending: the lost sense of a combined culture that we experience through music. The boasting of our iTunes libraries and the mere analytics of bit rates contradict the reason in sight. They're a red herring, a path that only leads to true heartbreak. I want my music to have heart again, to have a soul, to be mine. I desire it to be human once again.
by Seth Frank
I'm a member of a unique generation. I was born into what some people only a few years younger might call a world of Luddites. Vinyl LPs and turntables were the norm, but as technology marched on, our music became portable. What we sacrificed in matter, we compensated in handiness, as is normally the case.
But then again, what makes my generation unique is that we entered a world with technological limitations in spite of that, embraced any and all advances. At present, I love my iPod. I admit it. The prospect of thousands of songs at my disposal is fantastic. And let's face it, hauling crates of records, not to mention turntables, amps and speakers along with me is just plain unfeasible. Even so, soaked in a sea of MP3s, torrents and burned CDs is the very lore that made music such a primary part of my life.
Vinyl Albums - complete with the cover art, jackets and linear notes - were more than just a collection of songs. They served a personal introduction to countless artists, doorways by which you felt a deeper connection to their music. Every vinyl lp was a case study where you'd follow along with the lyrics in that perfect marriage between the written word and melody. You discovered who wrote the songs, who produced them, where and when they were recorded and any other tiny information you could store away in your memory banks. Even that little nod from artist to listeners that said, "This is how I'd like you to hear my music", the sequencing was crucial. Listening to music was an active pursuit, hardly a passive afterthought.
Now we've traded titles for track numbers, cover art for skins and probably the worst of all, quantity for knowledge. I've encountered various records in the previous year that I've absolutely appreciated. Even so, beyond a name of a band and perhaps the name of the vinyl album, I don't have much for you. I can relate to you which tracks are my favorites but to name them would be just an educated presumption. I couldn't single them out of a magazine. I can't even tell you their names. They are faceless, nameless, a mere collection of riffs. I can pick and choose the songs I like, destroying the lost art of the album. The thrill, B.B., is without a doubt gone.
If this is the tragedy of digital music, then it is a sad ending: the lost sense of a combined culture that we experience through music. The boasting of our iTunes libraries and the mere analytics of bit rates contradict the reason in sight. They're a red herring, a path that only leads to true heartbreak. I want my music to have heart again, to have a soul, to be mine. I desire it to be human once again.
by Seth Frank
Don't Blame the Drummer: The Fickle Singer/Songwriter
There is great irony in a songwriter relying heavily on a drummer, thus minimizing their role in the creation of their own tunes. But that’s what I witnessed when working with many singer/songwriters in the 1990’s. I wonder, to what degree did Gershwin, Beethoven, Hamlish and other notable composers, rely on their drummers/percussionists for the principal ideas of their music? My guess is not much at all. Yet, time and time again, I’d work with singer/songwriters who had no clear vision of arrangement, counter melodies, harmonies or orchestration for their own work. In some instances, the easiest element on which to offer input or suggestions, was the rhythm part. For a drummer, this could be a nightmare.
Why The Fuss?
Sometime in the 1990’s, I was talking with engineer/producer John Sickett at a recording session in Hoboken, NJ. As usual, our conversation centered around the state of the music business, note-worthy new bands and the projects in which we were currently involved. This particular day, we also discussed the current glut of singer/songwriters in the New York area. There was a tidal wave of emerging artists going solo, pedaling their songs in an attempt to get signed to a major record label. I knew this first-hand because I’d been hired by dozens of them for gigs and recordings. “You know, they gotta move away from the beat and get back to the song“, John complained, referring to the current state of songwriting craft. His statement hit me hard. As a matter of fact, in my opinion, most singer/songwriters overly obsessed about the beat and groove, while ignoring the real meat and potatoes of their work; the lyrics, arrangement, orchestration, melody, harmony, etc. However, it wasn’t just the overall groove they dwelled upon, but the physical appearance of the drummer as well. Why the fuss?
Credit Where It’s Due
In those days, the standard approach to fleshing out a song would begin with the writer and musicians assembled in a rehearsal room. The singer/songwriter would usually play their song on a guitar. I’m not sure if you can relate to this, but there was almost a standard singer/songwriter guitar rhythm those days. I describe it as strummed 16th notes with Charleston-like accents on beats one, “an” of two, and four. If you need an aural example, check out that song Breakfast at Tiffany’s. This pattern was a song-killer. Rhythmically speaking, it was too active and did not allow for spaces (which are crucial components of a comprehensive rhythm arrangement). After the initial listen, I would ask questions of the writer, including what mood they wished to convey, or if they could refer to a popular song as a model in this instance. The answers to these questions would give us a framework in which to proceed. Often, however, the answers were vague and incomplete, leaving us painstaking guesswork, or the process of musical trial and error. Other tasks ahead of us were to determine rhythm section parts, arrangements, orchestrations, dynamics, kick drum patterns, etc. The subtext of this situation was usually, “I’m not really sure what should be played in this spot, but what would you guys play here?”, allowing the artist to choose from a smorgasbord of possibilities, before rendering any musical decision. Afterwards, when an initial draft was completed, the singer/song “writer” would usually capture the musicians performance by recording it during the rehearsal, thereby claiming ownership of the tune as its sole creator. It didn’t take long for me to realize that all the musicians involved in this process were contributing to the creation of the composition in some way. Hence, it is my belief that contributing musicians should get commensurate writing credit, and financial remuneration, in this situation.
Eenie Meenie
Needless to say, I wasn’t the only drummer helping singer/songwriters in this manner. As a matter of fact, in the mid-90’s, it seemed that singer/songwriters were becoming increasingly picky about their drummers, as they had an abundance of eager, hungry and affordable tub-thumpers from which to choose; a virtual menu of electronic and traditional drummers, if you will. It was apparent that the drummer’s physical look and style was a factor too. There were drummers who wore hats (mostly to cover a bald spot), dressed in costume for a “look”, or spoke in an affected accent, way out of the bounds of their natural dialect. (There was one hat-wearing drummer from the Mid-West suburbs who put on an accent and dialect as if he was raised in the Southern Baptist Church). There were theatrical drummers who twirled sticks or played standing up. There were the worldly drummers who employed more exotic percussion. These guys would have ethnic drums, frame drums, djembes or vintage percussion in their set up. Sometimes they wore an African dashiki to express their inner ethnicity.
What A Bargain
In any event, singer/songwriters always got the better end of the stick. Always dangling the carrot of later, greater success, they’d become agitated when negotiating terms with musicians, weaving in teasers about the promising future of the project, the immanent record deal, or the numerous industry executives coming to the next gig. As a bargaining blockade, they would sometimes accuse their musicians of being mercenaries. Ouch! Try that with your plumber, dentist, or store clerk when it’s time to pay your next bill. Let me know how that works out.
Exposed
Yet, when things went less than perfect, or the flaws of the artist’s work were exposed, guess which musician would get the blame first? “Did we play the song this slow last time? What happened to that drum fill you used to play in that part? You didn’t play this loud in rehearsal. Is that the drum kit you use on your other gigs? Did you count off the song at the right tempo? My old drummer always set up a conga drum with his kit. Why don’t you bring a shaker or maracas to the next gig?” I could go on and on here. My point is that the artist would say anything EXCEPT, “This song needs to be reworked”, or “I need to come up with a better arrangement for this section”, or “The tempo is too fast for the lyric, so I’ve decided to slow it down”, and so on. In addition, I NEVER heard an artist declare, “This song sucks and is officially cut from our set list. Self-reflection and evaluation of this magnitude was an uncommon attribute in these cases, unfortunately.
Cream of The Crop
To be fair, the singer/songwriters I’m describing for this disussion, were the Bleeker Street, solo breed I observed or encountered in the 1990’s. If you were an active musician during that period, had a pulse, and lived within 100 miles of the Big Apple, I’ll bet you experienced some of this stuff first hand. Happily, I can tell you that I worked with a few incredibly gifted artists from this scene as well. One was Joy Askew. An amazing singer, writer and musician who had previously worked with Peter Gabriel, Joe Jackson and Laurie Anderson, among many others. Another was Hub Moore, a heart-felt lyricist and a expert at the craft of songwriting. Also, there was Ben Folds. Ben, bassist Tom Spagnardi, and I worked on songs in the basement of my Jersey City brownstone, and then showcased them at The Bitter End and Sine. It was at a Sine gig that Ben was discovered by the guy who would be his business manager for many years.
The Silver Lining
Most of the songs, by the Bleeker Street artists I experienced, fell short in many ways. Since I did quite a bit of work in this regard, I found it necessary to make the best of situations–somewhat of a “polisher”, so to speak. As bad as this may sound, there was a wonderful silver lining. In fact, there was no better on-the-job-training for a young drummer, in my opinion. It was making music against all odds, like swimming upstream, jogging with ankle weights or breathing through a straw for long periods of time. By the time you got to the artists with well-written tunes, played by an ensemble of ace musicians, it was as refreshing as a cool breeze on a hot summer day.
by Brian Doherty
Why The Fuss?
Sometime in the 1990’s, I was talking with engineer/producer John Sickett at a recording session in Hoboken, NJ. As usual, our conversation centered around the state of the music business, note-worthy new bands and the projects in which we were currently involved. This particular day, we also discussed the current glut of singer/songwriters in the New York area. There was a tidal wave of emerging artists going solo, pedaling their songs in an attempt to get signed to a major record label. I knew this first-hand because I’d been hired by dozens of them for gigs and recordings. “You know, they gotta move away from the beat and get back to the song“, John complained, referring to the current state of songwriting craft. His statement hit me hard. As a matter of fact, in my opinion, most singer/songwriters overly obsessed about the beat and groove, while ignoring the real meat and potatoes of their work; the lyrics, arrangement, orchestration, melody, harmony, etc. However, it wasn’t just the overall groove they dwelled upon, but the physical appearance of the drummer as well. Why the fuss?
Credit Where It’s Due
In those days, the standard approach to fleshing out a song would begin with the writer and musicians assembled in a rehearsal room. The singer/songwriter would usually play their song on a guitar. I’m not sure if you can relate to this, but there was almost a standard singer/songwriter guitar rhythm those days. I describe it as strummed 16th notes with Charleston-like accents on beats one, “an” of two, and four. If you need an aural example, check out that song Breakfast at Tiffany’s. This pattern was a song-killer. Rhythmically speaking, it was too active and did not allow for spaces (which are crucial components of a comprehensive rhythm arrangement). After the initial listen, I would ask questions of the writer, including what mood they wished to convey, or if they could refer to a popular song as a model in this instance. The answers to these questions would give us a framework in which to proceed. Often, however, the answers were vague and incomplete, leaving us painstaking guesswork, or the process of musical trial and error. Other tasks ahead of us were to determine rhythm section parts, arrangements, orchestrations, dynamics, kick drum patterns, etc. The subtext of this situation was usually, “I’m not really sure what should be played in this spot, but what would you guys play here?”, allowing the artist to choose from a smorgasbord of possibilities, before rendering any musical decision. Afterwards, when an initial draft was completed, the singer/song “writer” would usually capture the musicians performance by recording it during the rehearsal, thereby claiming ownership of the tune as its sole creator. It didn’t take long for me to realize that all the musicians involved in this process were contributing to the creation of the composition in some way. Hence, it is my belief that contributing musicians should get commensurate writing credit, and financial remuneration, in this situation.
Eenie Meenie
Needless to say, I wasn’t the only drummer helping singer/songwriters in this manner. As a matter of fact, in the mid-90’s, it seemed that singer/songwriters were becoming increasingly picky about their drummers, as they had an abundance of eager, hungry and affordable tub-thumpers from which to choose; a virtual menu of electronic and traditional drummers, if you will. It was apparent that the drummer’s physical look and style was a factor too. There were drummers who wore hats (mostly to cover a bald spot), dressed in costume for a “look”, or spoke in an affected accent, way out of the bounds of their natural dialect. (There was one hat-wearing drummer from the Mid-West suburbs who put on an accent and dialect as if he was raised in the Southern Baptist Church). There were theatrical drummers who twirled sticks or played standing up. There were the worldly drummers who employed more exotic percussion. These guys would have ethnic drums, frame drums, djembes or vintage percussion in their set up. Sometimes they wore an African dashiki to express their inner ethnicity.
What A Bargain
In any event, singer/songwriters always got the better end of the stick. Always dangling the carrot of later, greater success, they’d become agitated when negotiating terms with musicians, weaving in teasers about the promising future of the project, the immanent record deal, or the numerous industry executives coming to the next gig. As a bargaining blockade, they would sometimes accuse their musicians of being mercenaries. Ouch! Try that with your plumber, dentist, or store clerk when it’s time to pay your next bill. Let me know how that works out.
Exposed
Yet, when things went less than perfect, or the flaws of the artist’s work were exposed, guess which musician would get the blame first? “Did we play the song this slow last time? What happened to that drum fill you used to play in that part? You didn’t play this loud in rehearsal. Is that the drum kit you use on your other gigs? Did you count off the song at the right tempo? My old drummer always set up a conga drum with his kit. Why don’t you bring a shaker or maracas to the next gig?” I could go on and on here. My point is that the artist would say anything EXCEPT, “This song needs to be reworked”, or “I need to come up with a better arrangement for this section”, or “The tempo is too fast for the lyric, so I’ve decided to slow it down”, and so on. In addition, I NEVER heard an artist declare, “This song sucks and is officially cut from our set list. Self-reflection and evaluation of this magnitude was an uncommon attribute in these cases, unfortunately.
Cream of The Crop
To be fair, the singer/songwriters I’m describing for this disussion, were the Bleeker Street, solo breed I observed or encountered in the 1990’s. If you were an active musician during that period, had a pulse, and lived within 100 miles of the Big Apple, I’ll bet you experienced some of this stuff first hand. Happily, I can tell you that I worked with a few incredibly gifted artists from this scene as well. One was Joy Askew. An amazing singer, writer and musician who had previously worked with Peter Gabriel, Joe Jackson and Laurie Anderson, among many others. Another was Hub Moore, a heart-felt lyricist and a expert at the craft of songwriting. Also, there was Ben Folds. Ben, bassist Tom Spagnardi, and I worked on songs in the basement of my Jersey City brownstone, and then showcased them at The Bitter End and Sine. It was at a Sine gig that Ben was discovered by the guy who would be his business manager for many years.
The Silver Lining
Most of the songs, by the Bleeker Street artists I experienced, fell short in many ways. Since I did quite a bit of work in this regard, I found it necessary to make the best of situations–somewhat of a “polisher”, so to speak. As bad as this may sound, there was a wonderful silver lining. In fact, there was no better on-the-job-training for a young drummer, in my opinion. It was making music against all odds, like swimming upstream, jogging with ankle weights or breathing through a straw for long periods of time. By the time you got to the artists with well-written tunes, played by an ensemble of ace musicians, it was as refreshing as a cool breeze on a hot summer day.
by Brian Doherty
Peppaboy: Most Popular Independent Rapper
If music runs through your blood and gives you a dose of energy then the famous independent rapper will flow you off. Music is known to boost the spirits. It creates energy and enthusiasm. It can touch your heart and soul. It is one the best stress busters. Listening to music has a soothing and calming effect on humans. It de-clutters the mind of all wrongful thoughts. It diverts your mind completely and takes you to a different world altogether. It makes your mind and body feel good. Music has existed in the human race since time immemorial. It may have seen a change in its form, but it continues to lure people of all age groups.
Grooving to your favorite music or your favorite artist can release all the unwanted thoughts and give you a soothing effect. It can be very engaging; more so, if you listen to independent rappers like Peppaboy. He is known for his vivid music concepts and fresh flavors. His original compositions have a smooth yet spicy mix. His music is an extension of his life experiences. This independent rapper is excellent with fusion. He can create some amazing fusion like classical music with jazz and pop. Peppaboy's music is unique and innovative. He is extremely creative and gifted with this art. You can expect a rock guitar in the middle of a church organ. You can also be game for surprises like 808 drums with some classical music in the background.
Peppaboy is an independent label artist. Although, he is a new rap artist, he has won hearts world over. He is a crowd puller and makes his presence felt on the stage. Women usually go weak in the knees when he performs live. Apart from his music skills, he has amazing showmanship. If that it not enough, you would be glad to know that he pens down the lyrics of his songs. He seems to have developed a unique slang that he uses in his songs. He can play with words like a true artist.
by Defoe Green
Grooving to your favorite music or your favorite artist can release all the unwanted thoughts and give you a soothing effect. It can be very engaging; more so, if you listen to independent rappers like Peppaboy. He is known for his vivid music concepts and fresh flavors. His original compositions have a smooth yet spicy mix. His music is an extension of his life experiences. This independent rapper is excellent with fusion. He can create some amazing fusion like classical music with jazz and pop. Peppaboy's music is unique and innovative. He is extremely creative and gifted with this art. You can expect a rock guitar in the middle of a church organ. You can also be game for surprises like 808 drums with some classical music in the background.
Peppaboy is an independent label artist. Although, he is a new rap artist, he has won hearts world over. He is a crowd puller and makes his presence felt on the stage. Women usually go weak in the knees when he performs live. Apart from his music skills, he has amazing showmanship. If that it not enough, you would be glad to know that he pens down the lyrics of his songs. He seems to have developed a unique slang that he uses in his songs. He can play with words like a true artist.
by Defoe Green
Thursday, 7 October 2010
KD Tunstall (Still A) Weirdo
I witnessed KD Tunstall's debut appearance on the TV show 'Later with Jools Holland' and was blown away. Committment, passion, orginality, and a superb voice. It's heartening to know that such talent can still filter its way thru the corporate crap which proliferates in today's music scene.
Having said all that, I don't think this song is that special and find it a strange choice of single when there is other superior material on her new album. It's ok tho and trundles along quite comfortably in its own way.
Having said all that, I don't think this song is that special and find it a strange choice of single when there is other superior material on her new album. It's ok tho and trundles along quite comfortably in its own way.
Musicians Who Play Pink Guitars Get Noticed
If you want something really unusual for your next musical performance, think pink guitars. You're sure to be noticed and not just for your musical talent. Quality in the instrument and in the performance are both important.
Pink is usually a delicate color, but it doesn't have to mean your guitar is delicate. The construction should be solid so that the guitar will be playable for many years. The lightness of the color pink adds an extra touch of appeal. Find a guitar that is tightly constructed. It should not have rough spots or places where the finish is less than perfect.
Once you are sure the construction is excellent, you should check potential guitars to make certain that it fits you physically. The main areas where size checks are important are the width of the neck, the overall length of the instrument and the total bulk of the guitar. If you can do some actual playing on an instrument of the size and make that you are considering you will have a better idea whether it will be difficult or easy for you to manage.
For both acoustic and electric guitars, the sound of the instrument is what draws you to enjoy playing and listening in the first place. If at all possible, you should try the sound for some of the guitars you have on your short list before buying. If that isn't possible ask friends to provide recommendations.
Reviews prepared by experts who play and test many different kinds of guitars are another way to learn more about certain guitars. Reviews typically talk about construction, sound, tuning stability and even performer stars who use the instrument. You will still need to know if the feel is right when you begin playing. Beginners don't necessarily know how a good quality guitar will look and sound so it's may be difficult to determine what is good and what isn't.
Only after you are sure that the guitar is well-built with good tone and fitted to your size should you choose the color. Pink has the advantage of coming in many shades from a whisper pink to a brilliant fluorescent rose. Choose the color to suit your preference or your stage persona.
Hot pink guitars are very flashy. Deep rose instruments are beautiful and vibrant. Pale pink is stereotypical for young girls, but you can pick the color and design that works for you. You can enjoy a single color instrument or one that uses decals, designs or other decorative trim.
An excellent site for obtaining items like pink Guitars or the bajo sextos, the uniqueness of the site is that it provides musical instruments brought by musicians for the musicians. With nearly four decades of experience the site provides best products at best prices.
Source: ArticleTrader.com
Pink is usually a delicate color, but it doesn't have to mean your guitar is delicate. The construction should be solid so that the guitar will be playable for many years. The lightness of the color pink adds an extra touch of appeal. Find a guitar that is tightly constructed. It should not have rough spots or places where the finish is less than perfect.
Once you are sure the construction is excellent, you should check potential guitars to make certain that it fits you physically. The main areas where size checks are important are the width of the neck, the overall length of the instrument and the total bulk of the guitar. If you can do some actual playing on an instrument of the size and make that you are considering you will have a better idea whether it will be difficult or easy for you to manage.
For both acoustic and electric guitars, the sound of the instrument is what draws you to enjoy playing and listening in the first place. If at all possible, you should try the sound for some of the guitars you have on your short list before buying. If that isn't possible ask friends to provide recommendations.
Reviews prepared by experts who play and test many different kinds of guitars are another way to learn more about certain guitars. Reviews typically talk about construction, sound, tuning stability and even performer stars who use the instrument. You will still need to know if the feel is right when you begin playing. Beginners don't necessarily know how a good quality guitar will look and sound so it's may be difficult to determine what is good and what isn't.
Only after you are sure that the guitar is well-built with good tone and fitted to your size should you choose the color. Pink has the advantage of coming in many shades from a whisper pink to a brilliant fluorescent rose. Choose the color to suit your preference or your stage persona.
Hot pink guitars are very flashy. Deep rose instruments are beautiful and vibrant. Pale pink is stereotypical for young girls, but you can pick the color and design that works for you. You can enjoy a single color instrument or one that uses decals, designs or other decorative trim.
An excellent site for obtaining items like pink Guitars or the bajo sextos, the uniqueness of the site is that it provides musical instruments brought by musicians for the musicians. With nearly four decades of experience the site provides best products at best prices.
Source: ArticleTrader.com
Rock Music on the Rocks
Rock is a popular form of music from the mid 20th century which typically features a vocal melody that is supported by accompaniment of electric guitars, a bass guitar, and drums, often with a strong back beat. Keyboard instruments such as organ, piano, or synthesizers are often used in many types of rock music. While brass and woodwind instruments, such as saxophone were common in some styles in earlier development of rock, they are less common in the newer subgenres of rock music since the 1990s.
Rock 'n' Roll started off in the early-to-mid 1950s in the United States of America. African-American artists such as Chuck Berry, Little Richard, Bo Diddley and Fats Domino played predominantly to African American crowds. While these key early rockers were indisposed to racism, local authorities and dance halls were very much divided upon racial lines. Elvis Presley and Bill Haley and the Comets, Buddy Holly, Ritchie Valens, The Big Bopper, Jerry Lee Lewis and Johnny Cash often toured and played together in dance halls and clubs across the US and Britain.
A major formative influence on rock was rock and roll, and rockabilly. In the 1960s, as British rock developed, the term rock music became popular. With the British Invasion this rerevitalized musical style spread back to the United States, and became an international cultural phenomenon with considerable social impact. Rock has evolved into a multitude of highly varying styles with widespread popularity.
Rock and Roll came from a fusion of musical cultures, and in turn its influence fed back to these cultures, a process of borrowings, influences that continues to develop rock music. Rock n Roll had runaway success in the U.S. and brought rhythm and blues influenced music to an international audience. Its success led to a dilution of the meaning of the term rock and roll, as promoters and record companies were quick to attach the label to other commercial pop.
The biggest factor that has contributed to the resurgence of rock music is the rise of paid digital downloads in the 2000s. During the 90s, the importance of the buyable music single faded when Billboard allowed singles without buyable, album-separate versions to enter its Hot 100 chart (charting only with radio airplay).
It is interesting to note that nearly all of the best selling albums of all time are still rock. In many other nations, such as the UK and Australia, rock figures much more prominently in album sales than in the US. Rap and hip hop, although popular in those nations, are not as dominant as in the USA. American bands like The White Stripes and The Killers have more success in the UK than in the USA, and British bands such as The Libertines, Franz Ferdinand, Coldplay, Oasis, and Arctic Monkeys are still the UK's biggest selling artists. Nowadays, Emo, a marginal genre, is arguably growing in popularity in the UK. Nothing gives a high to the music lovers than to head-thump on the beat of rock and literally get rocked.
Source: Free Articles
Rock 'n' Roll started off in the early-to-mid 1950s in the United States of America. African-American artists such as Chuck Berry, Little Richard, Bo Diddley and Fats Domino played predominantly to African American crowds. While these key early rockers were indisposed to racism, local authorities and dance halls were very much divided upon racial lines. Elvis Presley and Bill Haley and the Comets, Buddy Holly, Ritchie Valens, The Big Bopper, Jerry Lee Lewis and Johnny Cash often toured and played together in dance halls and clubs across the US and Britain.
A major formative influence on rock was rock and roll, and rockabilly. In the 1960s, as British rock developed, the term rock music became popular. With the British Invasion this rerevitalized musical style spread back to the United States, and became an international cultural phenomenon with considerable social impact. Rock has evolved into a multitude of highly varying styles with widespread popularity.
Rock and Roll came from a fusion of musical cultures, and in turn its influence fed back to these cultures, a process of borrowings, influences that continues to develop rock music. Rock n Roll had runaway success in the U.S. and brought rhythm and blues influenced music to an international audience. Its success led to a dilution of the meaning of the term rock and roll, as promoters and record companies were quick to attach the label to other commercial pop.
The biggest factor that has contributed to the resurgence of rock music is the rise of paid digital downloads in the 2000s. During the 90s, the importance of the buyable music single faded when Billboard allowed singles without buyable, album-separate versions to enter its Hot 100 chart (charting only with radio airplay).
It is interesting to note that nearly all of the best selling albums of all time are still rock. In many other nations, such as the UK and Australia, rock figures much more prominently in album sales than in the US. Rap and hip hop, although popular in those nations, are not as dominant as in the USA. American bands like The White Stripes and The Killers have more success in the UK than in the USA, and British bands such as The Libertines, Franz Ferdinand, Coldplay, Oasis, and Arctic Monkeys are still the UK's biggest selling artists. Nowadays, Emo, a marginal genre, is arguably growing in popularity in the UK. Nothing gives a high to the music lovers than to head-thump on the beat of rock and literally get rocked.
Source: Free Articles
The Cycle of Pop Music
The Cycle of Pop Music
Author: John Parks
Rock music has always had its critics and those that wish that rock and pop music would just go away. But over the years rock has proven to be pretty resilient and has withstood the test of time. Pop music is a bit of a different animal than rock music although the two genres do tend to cross over a great deal. Rock music is usually classified as music driven by electric guitar and all the various sub-genres of rock are usually identified with electric guitar driven music. Rock usually has a certain angst or message to it and many in the rock music industry take their music and their message very seriously. Pop music is usually a little more encompassing than rock music. Pop music is used to identify music that seems to be universally popular with a large audience and can cross over from genre to genre. Pop is usually accepted as being short for popular so what we are really dealing with here is what the music industry considers to be popular music which translates into music that has greater potential to sell a lot of records. Pop music is music that is designed to be catchy to the ear and grab a large audience right away. Many newer country artists are starting to write songs that are country but are also being classified as pop because of their universally catchy hooks. Sometimes pop can create other genres of music due to the growing popularity of the music within the pop genre. Disco was pop music until it evolved into its own music genre and became very popular in the 1970's. Hip Hop is a mixing of rap and pop music that has become an extremely popular sub-genre of pop and stands today as one of the most popular genres of music in the industry. But rock music always seems to be there whether it is in the background as it was in the 1980's or in the foreground as it was in the 1960's and seems to be again today. Rock music seems to work in cycles and those cycles are definitely influenced by the popularity of pop music at the time. It seems that there is a large audience within the music industry that likes to jump from one genre to the next and that audience is the one that creates the pop music crazes that rule from year to year and that audience also dictates when rock music is at its peak and when rock music seems to be in decline. In the days when Britney Spears and Christine Aguilera were at the peak of their popularity pop music was at its peak which cause people to lose interest in rock music. Artists such as Pearl Jam and Metallica seemed to lose their luster and their record sales shifted to those acts offering a more pop music sound. Today acts like The White Stripes and The Killers are starting to bring rock music back to the forefront and it won't be long before rock music is giving hip hop and other forms of pop music a run for their money. For more information on music, visit http://concertsmicroblog.com and http://djmicroblog.com
Article Source: http://www.articlesbase.com/music-articles/the-cycle-of-pop-music-839266.html
Author: John Parks
Rock music has always had its critics and those that wish that rock and pop music would just go away. But over the years rock has proven to be pretty resilient and has withstood the test of time. Pop music is a bit of a different animal than rock music although the two genres do tend to cross over a great deal. Rock music is usually classified as music driven by electric guitar and all the various sub-genres of rock are usually identified with electric guitar driven music. Rock usually has a certain angst or message to it and many in the rock music industry take their music and their message very seriously. Pop music is usually a little more encompassing than rock music. Pop music is used to identify music that seems to be universally popular with a large audience and can cross over from genre to genre. Pop is usually accepted as being short for popular so what we are really dealing with here is what the music industry considers to be popular music which translates into music that has greater potential to sell a lot of records. Pop music is music that is designed to be catchy to the ear and grab a large audience right away. Many newer country artists are starting to write songs that are country but are also being classified as pop because of their universally catchy hooks. Sometimes pop can create other genres of music due to the growing popularity of the music within the pop genre. Disco was pop music until it evolved into its own music genre and became very popular in the 1970's. Hip Hop is a mixing of rap and pop music that has become an extremely popular sub-genre of pop and stands today as one of the most popular genres of music in the industry. But rock music always seems to be there whether it is in the background as it was in the 1980's or in the foreground as it was in the 1960's and seems to be again today. Rock music seems to work in cycles and those cycles are definitely influenced by the popularity of pop music at the time. It seems that there is a large audience within the music industry that likes to jump from one genre to the next and that audience is the one that creates the pop music crazes that rule from year to year and that audience also dictates when rock music is at its peak and when rock music seems to be in decline. In the days when Britney Spears and Christine Aguilera were at the peak of their popularity pop music was at its peak which cause people to lose interest in rock music. Artists such as Pearl Jam and Metallica seemed to lose their luster and their record sales shifted to those acts offering a more pop music sound. Today acts like The White Stripes and The Killers are starting to bring rock music back to the forefront and it won't be long before rock music is giving hip hop and other forms of pop music a run for their money. For more information on music, visit http://concertsmicroblog.com and http://djmicroblog.com
Article Source: http://www.articlesbase.com/music-articles/the-cycle-of-pop-music-839266.html
Wednesday, 6 October 2010
The Wombats: Tokyo (Vampires and Wolves)
Couldn't find a proper video for this song but I picked it out because, although it isn't really my thing, it stands out for a number of reasons. The Wombats have their own distinctive sound, and can write a cracking pop song, which includes a lyric displaying some degree of imagination and originality.
You can tell this is a real band and I would guess they are probably an excellent live act. Ok, the mid-80s-style synths make me wince a bit but that's just me. The vast majority of their fans probably weren't even born during that dreadful era of pop music so it's not especially relevant.
They are 3 young guys bursting with youthful energy who have found their own voice and therefore deserve maximum recognition and success.
You can tell this is a real band and I would guess they are probably an excellent live act. Ok, the mid-80s-style synths make me wince a bit but that's just me. The vast majority of their fans probably weren't even born during that dreadful era of pop music so it's not especially relevant.
They are 3 young guys bursting with youthful energy who have found their own voice and therefore deserve maximum recognition and success.
License Music: A Must Have for Every Upcoming Artist
People of all ages love listening to music. Maybe this is the reason why the music industry is booming. Whenever a new music album comes out, the music buffs rush to purchase it. In current times, the advancement of technology has especially affected this field in both negative and positive ways. With the help of Internet, artists can reach out to millions of audiences around the globe which has led them to gain international recognition. But, there are also individuals who upload the latest numbers to websites for free downloads. Thus, these cases compel the artists to license music in order to protect their right on the monetary benefits from their musical creations.
In order to build a career in the music industry, you need to have inborn talent,though you can achieve success if you put in a lot of hard-work. Majority of the talented artists enter the music industry with a dream to make it big. Many of them are not in the know of the benefits of license music. If a piece of music from the album of a budding artist is played in a public function and if it is not licensed, any listener can make use of it for his gain. Unlimited is the number of such cases where the original creation of one is recognized as the work of the other. This is one of the reasons why artists all over the world are rushing to license music.
The license music is a kind of agreement between an artist and a licensing company. Possession of a music license basically means that the work of the artist is legally protected. If anyone uses any musical piece of the artist without his permission, they will be seriously penalized. This has helped several artists protect both of their creation and gain.
With the help of license music contract, artists can enjoy a stable income as well. There is no doubt that music is essential in the advertising industry. If producers want to use an artist's composition in commercials, they have to pay royalties to the artist. Thus, this helps the artists to expose their work to more audience and also to earn a steady income. Since, the advertising field is a vast arena, different types of music are required to bring out the true meaning of advertisements. This is the main reason behind the popularity of music libraries websites in current times. These sites contain huge collections of music in all categories. From pop to jazz to hip-hop to any genre, you will certainly find it here.
The concept of music libraries has tremendously helped several upcoming artists to make a name for themselves in the music industry. Majority of these individuals post their musical creations on such sites. This is because whenever a brand requires a background music for its product advertisements , they search these music libraries for the appropriate musical piece. If the producers feel your creation is suitable for their use, they will immediately contact you and thereby helping you to take your musical career to the next level.
The music libraries not only help the upcoming artists but also assist the established ones to publish their creations in various fields. With the popularity of remix music among the current generation, the original musical piece has lost its importance. Since the music libraries contain original creations, it is also helpful for those who are searching for such musical pieces.
In order to build a career in the music industry, you need to have inborn talent,though you can achieve success if you put in a lot of hard-work. Majority of the talented artists enter the music industry with a dream to make it big. Many of them are not in the know of the benefits of license music. If a piece of music from the album of a budding artist is played in a public function and if it is not licensed, any listener can make use of it for his gain. Unlimited is the number of such cases where the original creation of one is recognized as the work of the other. This is one of the reasons why artists all over the world are rushing to license music.
The license music is a kind of agreement between an artist and a licensing company. Possession of a music license basically means that the work of the artist is legally protected. If anyone uses any musical piece of the artist without his permission, they will be seriously penalized. This has helped several artists protect both of their creation and gain.
With the help of license music contract, artists can enjoy a stable income as well. There is no doubt that music is essential in the advertising industry. If producers want to use an artist's composition in commercials, they have to pay royalties to the artist. Thus, this helps the artists to expose their work to more audience and also to earn a steady income. Since, the advertising field is a vast arena, different types of music are required to bring out the true meaning of advertisements. This is the main reason behind the popularity of music libraries websites in current times. These sites contain huge collections of music in all categories. From pop to jazz to hip-hop to any genre, you will certainly find it here.
The concept of music libraries has tremendously helped several upcoming artists to make a name for themselves in the music industry. Majority of these individuals post their musical creations on such sites. This is because whenever a brand requires a background music for its product advertisements , they search these music libraries for the appropriate musical piece. If the producers feel your creation is suitable for their use, they will immediately contact you and thereby helping you to take your musical career to the next level.
The music libraries not only help the upcoming artists but also assist the established ones to publish their creations in various fields. With the popularity of remix music among the current generation, the original musical piece has lost its importance. Since the music libraries contain original creations, it is also helpful for those who are searching for such musical pieces.
How Music Boosts your Memory and make you Smarter
Have you ever noticed how your favorite music can make you feel better? Well, new research studies suggest that certain types of music can boost your memory, cut your company's training time and make you smarter too.
Scientists at Stanford University, in California, have recently revealed a molecular basis for music known as the "Mozart Effect", but not other music.
Dr. Fran Rauscher and her geneticist colleague H. Li, discovered that rats, like humans, perform better on learning and memory tests after listening to a specific Mozart Sonata in D. They found that various growth factors and a memory compound increased in an area of the brain that affects learning and memory.
In addition, some years before, at the University of California, Irvine, Dr. Rausher found that college students scored higher on the spatial portion of an I.Q. test after listening to the Mozart Sonata for only 10 minutes! The findings were published and the "Mozart Effect" craze officially began.
Although there is still some controversy over whether the "Mozart Effect" really exists, I've done my research and am a big fan personally. I listen to certain Mozart CD's every day when I write my books.
They help me focus and concentrate, and give me the added boost of a better memory. OK, I admit, sometimes I forget where I put the car keys, but listening to these particular pieces called "Mozart Effect for Focus and Concentration" actually do help me focus better.
On a more serious note, there is substantial research showing that classical music lessons can really pay off, because music can "boost brain circuitry and increase certain mental functions".
Ultimately, you may develop the more spatial areas of the brain, and the research shows that people who have had music lessons or play an instrument perform better on many types of cognitive tests.
Major corporations such as Shell, IBM, and Dupont, along with thousands of schools and universities use music, such as certain Baroque or Mozart pieces, to cut learning time, mask irritating sounds, and increase retention of the new materials.
Many industrial corporations provide music to their employees. Dupont, for example, used a music listening program in one department that cut its training time in half and doubled the number of people trained. Another corporation using music found that clerical errors decreased by one third.
I use many type of music in my Instant Learning workshops and trainings because I find that it reduces learning time and increases memory of the material. Music activates the whole brain and makes you feel more energetic.
There is also some compelling newer evidence to show that music, used properly, can calm people with ADD or ADHD and even autism.
A recent news article reported that researchers have discovered direct evidence that music stimulates different regions of the brain responsible for memory, motor control, timing and language. For the first time, researchers also have located specific areas of mental activity linked to emotional responses to music.
At McGill University in Montreal, neuroscientist Anne Blood, who conducted the study said, "You can activate different parts of the brain, depending on what music you listen to.
So music can stimulate parts of the brain that are underactive in neurological diseases or a variety of emotional disorders. Over time, we could retrain the brain in these disorders."
Harvard University Medical School neurobiologist, Mark Jude Tramo, says, "Undeniably, there is a biology of music. There is no question that there is specialization within the human brain for the processing of music. Music is biologically part of human life, just as music is aesthetically part of human life."
Given the exceptional benefits of listening to certain types of music, I highly recommend you add Mozart to your tool chest of rapid learning strategies. You can listen as a family, use it at work, or play it in the background when you want your to kick your memory into high gear.
Scientists at Stanford University, in California, have recently revealed a molecular basis for music known as the "Mozart Effect", but not other music.
Dr. Fran Rauscher and her geneticist colleague H. Li, discovered that rats, like humans, perform better on learning and memory tests after listening to a specific Mozart Sonata in D. They found that various growth factors and a memory compound increased in an area of the brain that affects learning and memory.
In addition, some years before, at the University of California, Irvine, Dr. Rausher found that college students scored higher on the spatial portion of an I.Q. test after listening to the Mozart Sonata for only 10 minutes! The findings were published and the "Mozart Effect" craze officially began.
Although there is still some controversy over whether the "Mozart Effect" really exists, I've done my research and am a big fan personally. I listen to certain Mozart CD's every day when I write my books.
They help me focus and concentrate, and give me the added boost of a better memory. OK, I admit, sometimes I forget where I put the car keys, but listening to these particular pieces called "Mozart Effect for Focus and Concentration" actually do help me focus better.
On a more serious note, there is substantial research showing that classical music lessons can really pay off, because music can "boost brain circuitry and increase certain mental functions".
Ultimately, you may develop the more spatial areas of the brain, and the research shows that people who have had music lessons or play an instrument perform better on many types of cognitive tests.
Major corporations such as Shell, IBM, and Dupont, along with thousands of schools and universities use music, such as certain Baroque or Mozart pieces, to cut learning time, mask irritating sounds, and increase retention of the new materials.
Many industrial corporations provide music to their employees. Dupont, for example, used a music listening program in one department that cut its training time in half and doubled the number of people trained. Another corporation using music found that clerical errors decreased by one third.
I use many type of music in my Instant Learning workshops and trainings because I find that it reduces learning time and increases memory of the material. Music activates the whole brain and makes you feel more energetic.
There is also some compelling newer evidence to show that music, used properly, can calm people with ADD or ADHD and even autism.
A recent news article reported that researchers have discovered direct evidence that music stimulates different regions of the brain responsible for memory, motor control, timing and language. For the first time, researchers also have located specific areas of mental activity linked to emotional responses to music.
At McGill University in Montreal, neuroscientist Anne Blood, who conducted the study said, "You can activate different parts of the brain, depending on what music you listen to.
So music can stimulate parts of the brain that are underactive in neurological diseases or a variety of emotional disorders. Over time, we could retrain the brain in these disorders."
Harvard University Medical School neurobiologist, Mark Jude Tramo, says, "Undeniably, there is a biology of music. There is no question that there is specialization within the human brain for the processing of music. Music is biologically part of human life, just as music is aesthetically part of human life."
Given the exceptional benefits of listening to certain types of music, I highly recommend you add Mozart to your tool chest of rapid learning strategies. You can listen as a family, use it at work, or play it in the background when you want your to kick your memory into high gear.
Music History: Hip-Hop, Rap and R 'n B
In the early 1970s, the cultural movement of hip hop music was born. Hip hop's fast paced music style is made of two parts; the rhythmic delivery of rap and the use of instrumentation by a DJ. Hip hop music also brought with it a fashion of its own, the fashion helped to represent this newly created music. Hip hop music has its roots from West African music and African-American music. The first rap song to be put onto a vinyl record was, "Rapper's Delight", a song by the Sugarhill Gang back in the 1970s. This is when block parties started becoming the norm in New York City, which gave hip hop and rap the chance to explode in popularity. Hip hop's instrumentation came from funk, R&B, and disco, when combined together make this dynamic type of music. When the DJs at these block parties learned what the people liked, they began mixing these vinyl records and created music that played continuously with amazing transitions between songs. Hip hop was actually created by a DJ named Kool Herc, a Jamaican that had moved to the United States with a style that consisted of mixing music by using two copies of the same record. Many of the poor Jamaican's in the town could not afford vinyl records, so huge stereo systems were set up so that many could here the rhythmic beats. These stereo systems were the kick-off for the beginning of the evolution of block parties. So with the musical talent of these amazing DJs, with the use of vinyl record mixing, the culture of hip hop and rap music was born.
History of R & B
R&B, which stands for Rhythm and Blues, was the greatest influence on music around the world for most of the 20th century's second-half. Rhythm and Blues is a term with a broad sense, but typically recognizing black-pop music. This type of music was introduced to the world by artists' combining the music styles of jazz and blues. R&B is actually what was later developed into what we know as rock and roll. In the 1970s, the term R&B was being used to describe soul and funk music styles, which today we know it describes Rhythm and Blues. Along with being influenced by jazz and blues, R&B also had influences from gospel and disco music. Disco's downturn in the 1980s opened the door for R&B to truly take-off in popularity.
History of R & B
R&B, which stands for Rhythm and Blues, was the greatest influence on music around the world for most of the 20th century's second-half. Rhythm and Blues is a term with a broad sense, but typically recognizing black-pop music. This type of music was introduced to the world by artists' combining the music styles of jazz and blues. R&B is actually what was later developed into what we know as rock and roll. In the 1970s, the term R&B was being used to describe soul and funk music styles, which today we know it describes Rhythm and Blues. Along with being influenced by jazz and blues, R&B also had influences from gospel and disco music. Disco's downturn in the 1980s opened the door for R&B to truly take-off in popularity.
Tuesday, 5 October 2010
Kylie Minogue: Get Outta My Way
This doesn't quite hit the dizzying heights of 'Can't get you outta my head' or 'It's in your Eyes' but still a decent enough effort from the Queen of Pop. I've no idea how old she is now but she remains a seasoned pro at knowing exactly 'how to look fantastic in a pop video'. As always, outstanding outfits, sets and overall presentation.
Yes, the song is a bit average for her but really I can't be too objective when it comes to Kylie. As with Debbie Harry before, it's impossible not to like just about anything she does. Long may her glittering career continue. Given my complete lack of objectivity in this instance, I probably shouldn't have chosen to review it in the first place...
Yes, the song is a bit average for her but really I can't be too objective when it comes to Kylie. As with Debbie Harry before, it's impossible not to like just about anything she does. Long may her glittering career continue. Given my complete lack of objectivity in this instance, I probably shouldn't have chosen to review it in the first place...
Digitalization of Entertainment
Consumers have moved rapidly to adopting digital formats for consuming entertainment-related content. The most obvious example of this is music and video downloads, with Apple’s iTunes and You Tube as leading examples. Apple has sold more than one billion songs via its iTunes music store and it continues to demonstrate a spectacular rate of growth. Over 30,000,000 individuals have purchased an ipod portable music device, and tens of millions of other consumers use one of dozens of other portable devices to listen to music. Other platforms for listening to music are equally successful, and in the case of Microsoft’s Windows Media Player even more dominant with over 90,000,000 systems running the software globally. Real Networks Rhapsody, and Yahoo! Music represent other major entrants in this space. In addition to those companies selling licensed music downloads for a fee, peer-to-peer networks such as Limewire and Morpheus claim to have tens of millions of users sharing music and other files on a continual basis.
As consumers have become comfortable purchasing (and stealing) music online, they are now beginning to download other digital forms of entertainment, including music videos, short-subject films, television shows, and even full-length Hollywood pictures. Traditional media companies have recognized the opportunity to establish new revenue streams and leverage old assets by enabling consumers to download television programming for a fee, and the adoption rate appears to match the early days of music downloading. The increasing penetration of broadband connections (over 50 million homes in the US), advances in software that enables high-quality downloads, and content companies recognizing an enormous opportunity to distribute directly and inexpensively to consumers has created a tidal shift in the number of digital media assets available for download to computers, handheld devices, and even cell phones.
Companies such as YouTube are at the forefront of the intersection of video entertainment and the fragmentation of media due to the empowerment of the consumer. Hundreds of millions of videos are downloaded weekly from YouTube (as well as dozens of competitors), and a significant portion of those videos are not “professionally” produced. More importantly, new talent in various entertainment fields are being discovered through these distribution platforms and forever changing how entertainment is conceived, produced, distributed, and valued.
Source: Free Articles
As consumers have become comfortable purchasing (and stealing) music online, they are now beginning to download other digital forms of entertainment, including music videos, short-subject films, television shows, and even full-length Hollywood pictures. Traditional media companies have recognized the opportunity to establish new revenue streams and leverage old assets by enabling consumers to download television programming for a fee, and the adoption rate appears to match the early days of music downloading. The increasing penetration of broadband connections (over 50 million homes in the US), advances in software that enables high-quality downloads, and content companies recognizing an enormous opportunity to distribute directly and inexpensively to consumers has created a tidal shift in the number of digital media assets available for download to computers, handheld devices, and even cell phones.
Companies such as YouTube are at the forefront of the intersection of video entertainment and the fragmentation of media due to the empowerment of the consumer. Hundreds of millions of videos are downloaded weekly from YouTube (as well as dozens of competitors), and a significant portion of those videos are not “professionally” produced. More importantly, new talent in various entertainment fields are being discovered through these distribution platforms and forever changing how entertainment is conceived, produced, distributed, and valued.
Source: Free Articles
Heavy Metal as Sound Therapy?
Whenever I present to groups about sound therapy or talk with people at trade fairs, I often get expressions of concern and questions about heavy metal music. These are valid concerns, so I decided to take a closer look. My closer look has provided some interesting insight.
Heavy metal music has been a personal journey for our family. Our son, Matt, is lead guitar in a heavy metal band. It is his favorite music. He is a fabulously talented guitarist. Matt is also an early indigo child and one of the wisest, old souls I know. If I need advice, I will often ask Matt. He is one of the kindest, compassionate, joyful and authentic people I know.
Heavy metal music touched our family in a very personal way when Matt entered grade 10 in high school. By the second term, Matt was suffering from a clinical depression. For him, it was a true dark night of the soul.
Medication and intervention were refused as he relied on his own inner wisdom and healer. From a very young age, this wise old soul has preferred to heal himself. Mind you, for a broken arm, he was taken to the hospital. The doctors were amazed at how quickly he healed.
What he found during this dark night of the soul was an expression of what he was going through in the form of heavy metal music. If he was feeling really angry, for example, he would play some really angry music, we would plug our ears, and shortly, he would emerge from his room calmer.
Now, Matt regularly shares with me videos on youtube of his favorite bands and performers. We gleefully share our wonder over the technical and musical accomplishments of some of these guitarists. I also share with him my concern over the content of some of the songs and its effect on him. As a classically trained musician and sound and energy healer, I had some serious reservations about this style of music.
Many people enthusiastically condemn heavy metal music. You may even be aware of a court case or two brought against a band concerning its influence over young people. I believe that labeling it "bad" and shoving it under the rug may not be the wisest thing to do.
Music and art are reflections of what is going on in the heart, mind and soul of humanity. With heavy metal music, I believe that we are staring right into our collective shadow. What is the content of this shadow? Death, anger, fear, illness, sex, repressed weakness, shortcomings and instincts. Welcome to heavy metal.
Each of us is a mixture of light (like compassion) and shadow (like dark angry thoughts). We like very much to avoid the shadow. The problem is that the more we avoid or repress it, the darker it becomes.
Sometimes we have to turn out all the lights and sit in the dark to understand the nature of the darkness. Sometimes that experience becomes the dark night of the soul where we confront our own shadow side.
Humanity as a whole is undergoing a shift in consciousness right now and part of this shift involves understanding and creating a relationship with our collective shadow. As an individual, some of the unconsciousness mind becomes conscious. As a species, some of our collective unconscious is becoming conscious and we are getting a good look. As a result, humanity is experiencing a collective dark night of the soul.
The great psychiatrist, Carl Jung wrote about the shadow and coined the term collective unconscious. One of the things he said was, "To confront a person with his shadow is to show him his own light." (Good and Evil in Analytical Psychology (1959). In Collected Works 10. Civilization in Transition, p. 872.)
He also said, "One does not become enlightened by imagining figures of light, but by making the darkness conscious." (The Philosophical Tree (1945). In Collected Works 13: Alchemical Studies, p. 335.)
The gift of heavy metal music is that it forces us to look at our collective shadow. We have been shoving it under the rug for millennia. It has grown deep and dark there. By bubbling up in music and art, it forces us to take a good look and make some choices about what we see.
Heavy metal music has been a personal journey for our family. Our son, Matt, is lead guitar in a heavy metal band. It is his favorite music. He is a fabulously talented guitarist. Matt is also an early indigo child and one of the wisest, old souls I know. If I need advice, I will often ask Matt. He is one of the kindest, compassionate, joyful and authentic people I know.
Heavy metal music touched our family in a very personal way when Matt entered grade 10 in high school. By the second term, Matt was suffering from a clinical depression. For him, it was a true dark night of the soul.
Medication and intervention were refused as he relied on his own inner wisdom and healer. From a very young age, this wise old soul has preferred to heal himself. Mind you, for a broken arm, he was taken to the hospital. The doctors were amazed at how quickly he healed.
What he found during this dark night of the soul was an expression of what he was going through in the form of heavy metal music. If he was feeling really angry, for example, he would play some really angry music, we would plug our ears, and shortly, he would emerge from his room calmer.
Now, Matt regularly shares with me videos on youtube of his favorite bands and performers. We gleefully share our wonder over the technical and musical accomplishments of some of these guitarists. I also share with him my concern over the content of some of the songs and its effect on him. As a classically trained musician and sound and energy healer, I had some serious reservations about this style of music.
Many people enthusiastically condemn heavy metal music. You may even be aware of a court case or two brought against a band concerning its influence over young people. I believe that labeling it "bad" and shoving it under the rug may not be the wisest thing to do.
Music and art are reflections of what is going on in the heart, mind and soul of humanity. With heavy metal music, I believe that we are staring right into our collective shadow. What is the content of this shadow? Death, anger, fear, illness, sex, repressed weakness, shortcomings and instincts. Welcome to heavy metal.
Each of us is a mixture of light (like compassion) and shadow (like dark angry thoughts). We like very much to avoid the shadow. The problem is that the more we avoid or repress it, the darker it becomes.
Sometimes we have to turn out all the lights and sit in the dark to understand the nature of the darkness. Sometimes that experience becomes the dark night of the soul where we confront our own shadow side.
Humanity as a whole is undergoing a shift in consciousness right now and part of this shift involves understanding and creating a relationship with our collective shadow. As an individual, some of the unconsciousness mind becomes conscious. As a species, some of our collective unconscious is becoming conscious and we are getting a good look. As a result, humanity is experiencing a collective dark night of the soul.
The great psychiatrist, Carl Jung wrote about the shadow and coined the term collective unconscious. One of the things he said was, "To confront a person with his shadow is to show him his own light." (Good and Evil in Analytical Psychology (1959). In Collected Works 10. Civilization in Transition, p. 872.)
He also said, "One does not become enlightened by imagining figures of light, but by making the darkness conscious." (The Philosophical Tree (1945). In Collected Works 13: Alchemical Studies, p. 335.)
The gift of heavy metal music is that it forces us to look at our collective shadow. We have been shoving it under the rug for millennia. It has grown deep and dark there. By bubbling up in music and art, it forces us to take a good look and make some choices about what we see.
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